Vortrag von Susan Ballard
Datum & Uhrzeit: 2019-12-11 15:00
Ort: Auditorium | EG, Neubau der Akademie
There is no english translation available.

 

Die Veranstaltung findet in englischer Sprache statt.

 

In September 2010 the city of Christchurch, New Zealand was rocked by the first of a sequence of 16,000 earthquakes. This talk will consider the art and media that responded to the new experience of seismicity in the earthquake-damaged, transitional city. The spaces of the city became a cultural and creative environment in which art and media become co-creators with their very seismicity. Seismic media describes the “ungrounding” of elemental and ecomedia produced by earthquakes. Seismic media offered forms of relief that enabled people to reflect on the experiences of disaster and its long aftermath, whilst simultaneously remembering the city as it was. A consideration of seismic media suggests that for recovery and relief to occur, the earth needs to be understood as an active agent and long-term collaborator. By employing seismic media to trace placemaking and the memory spaces of Christchurch as it undergoes an extended period of rebuilding; I identify artists’ relationships with the material geology of a city with a focus on new geographical and aesthetic understandings in the Anthropocene.

Der Vortrag von Susan Ballard, neuseeländische Kunsthistorikerin und Kuratorin, die derzeit am Rachel Carson Center for Environment and Society der LMU München forscht, ist Teil der Veranstaltungsreihe „Art and Environment“, die aus der diesjährigen Kooperation des cx centrums für interdisziplinäre studien mit dem Rachel Carson Center hervorgegangen ist. Die Veranstaltungen beleuchten die künstlerische und gestalterische Auseinandersetzung mit Umweltfragen sowie die Schnittstellen zwischen den Künsten und den Environmental Humanities. 

 

Susan Ballard is the co-director of the C3P Research Centre at the University of Wollongong, and leader of MECO, the Material Ecologies research network. 

Recent essays in Energies in the Arts (MIT), The Anthropocene Review, Environmental Humanities, and Art and Australia are concerned with the ways in which contemporary art and writing address big ideas about species extinction, energy, geology, and the politics of culture. She is one of the multi-authors of 100 Atmospheres: Studies in Scale and Wonder (Open Humanities Press, 2019). 

With Christine Eriksen, Susan Ballard is the co-author of Alliances in the Anthropocene: Humans, Plants, and Fire (Palgrave Pivot, 2019) and her monograph Art and Nature in the Anthropocene: Planetary Aesthetics will be out with Routledge in 2020. 

She teaches contemporary art and critical theory, and is Head of Postgraduate Studies in the School of the Arts, English and Media at the University of Wollongong, Australia.