--- title: "cx centre for interdisciplinary studies" --- # cx centre for interdisciplinary studies Project finished on 31.03.2021.   Every year, the cx centre for interdisciplinary studies offers classes and interdisciplinary courses in theory and practical project work on a different topic. These offers are available to all AdBK students. In addition to the main work done by the classes and in the degree programmes, the annual topic is oriented primarily around current artistic, scientific and social discourses. The goal of this interdisciplinary study programme is to integrate theoretical and practical teaching to a greater degree and to promote professional exchange between the academy’s different degree programmes. In addition, through the development of an external network with other universities and their multidisciplinary forums, the cx aims at internationalizing the academy and at improving the exchange of experience and knowledge in interdisciplinary teaching and research to a yet greater degree. The programme offers students access to other areas of knowledge, techniques and methods, and complements their artistic training with advanced theoretical and interdisciplinary teaching. Lastly, by strengthening graduates’ interdisciplinary expertise, the programme is meant to provide them with new post-graduate study opportunities and open up additional professional fields. **PROGRAMME STRUCTURE** The programme consists essentially of three closely coordinated study units. **1. Interdisciplinary lecture series** The programme lasts one academic year. From 2012 on, it has always begun in the winter semester with a lecture series and/or a symposium to which external scientists and artists have presented work and research results related to the year’s topic. These specialists come from many areas that are not represented at the academy, including the social and natural sciences, writing, music, theatre direction etc. As part of this programme, the academy cooperates with other Munich universities. **2. Degree programmes and interdisciplinary projects** In the summer semester following the interdisciplinary lecture series, an internationally renowned guest professor offers practical project work on the annual topic. His/her temporary project class is open to students in all study programmes. A different guest professor is invited annually and comes from the fields of fine arts, film, music, literature, architecture or design. In addition, professors from each of the academy’s five degree programmes can participate in the interdisciplinary study programme by offering an appropriate course. In the framework of the project, artistic practice is considered to be a research method as well as an independent form of knowledge production. **3. Theoretical seminars** Theoretical seminars accompany the lecture series and project work. Their aim is to shed light on the annual topic and its art-, media- or architecture-theoretical basis, and to reflect on approaches and methods of the different areas and disciplines of specialization. Intersections and flow of information between art as a functional system and other social systems are explored, similarities and differences between the artistic and scientific approaches revealed and the characteristics of "artistic research" analysed. ## Without Measure? Excess(es) in Contemporary Art ![Without Measure? Excess(es) in Contemporary Art](https://www.adbk.de/images/stories/Copia_di_ohnemass-A1plakat-draft8.jpg) There is no translation available. Virtual conference, June 17 and 18, 2020 Hosts: [Ursula Ströbele](https://www.zikg.eu/personen/UStroebele) (Study Center for Modern and Contemporary Art at Zentralinstitut für Kunstgeschichte, Munich) / [Susanne Witzgall](https://www.adbk.de/de/akademie/kollegium/wissenschaftliche-mitarbeiter-innen/152-dr-susanne-witzgall.html) (cx centre for interdisciplinary studies, Academy of Fine Arts Munich)   To participate, please register via e-mail by June 15th at [info_cx@adbk.mhn.de](mailto:info_cx@adbk.mhn.de)(subject: “Without Measure”) and we will send you an access link and further information.   The word ‘excess’ comes from the Latin verb ‘excedere,’ meaning ‘to step outside, to go beyond something.’ Whether something is perceived as excess depends on cultural-social and historical normative frameworks. Yet excess implies not only the transgression of orders of values, but also of ecological, social, and human capacities, and suggests immoderateness, insatiability, lack of restraint, debauchery, or deviation. Today our reality seems to be saturated by various excesses: exaggerated increases in efficiency, the unrestrained consumption and squandering of resources in the modern economy, the verbal excesses of politics, the research-based excesses of the production and modularization of artificial life, and the algorithmic excesses of an increasingly wired and digitalized world are just a few 21st century examples of this phenomenon, which often has a negative connotation. At the same time, play with and the transgression of limits as anthropological constants entices us with its promise of transcendent experience, the liberation from social constraints, and creative flights of fancy. The term ‘excessive’ can be used to describe a dimension of experience or perception, a stylistic criterion, or a practice that crosses borders. Excesses have traditionally always been at home in visual art, given that they often operate beyond social etiquette and norms, evoking states of euphoria and intoxication, but also critically reflecting on economic and sociopolitical conditions.   The symposium “Ohne Maß? Exzess(e) in der zeitgenössischen Kunst” (Without Measure? Excess[es] in Contemporary Art) aims to explore how the art of the 21st century has confronted the theme of “excess.” How do current art practices approach this ambivalent phenomenon at a time when new excessive modes of behavior and processes are emerging, or at any rate seem to be increasingly coming to the fore? This symposium is dedicated to excess as a multilayered object of artistic investigation, but also as an artistic strategy for the creative transgression of boundaries and resistant practice. In connection with the 2019/20 theme of “excess” at the cx center for interdisciplinary studies, the symposium is a cooperation between the cx center for interdisciplinary studies at the Academy of Fine Arts, Munich, and the Study Center for Modern and Contemporary Art at the Central Institute for Art History, Munich. Lectures and Discussions will be in English.   **Wednesday, June 17, 2020**   1:30 pm **Welcome and Introduction** Ursula Ströbele and Susanne Witzgall   2:00–4:00 pm **Panel 1: Excessive Art?**   [Wouter Davidts](https://www.adbk.de/index.php?option=com_content&view=article&id=2585:wouter-davidts&catid=45) (Gent) *Out of Scale. Excessive Size in Contemporary Sculpture*   [Dominik Brabant](https://www.adbk.de/index.php?option=com_content&view=article&id=2586:dominik-brabant&catid=45) (Eichstätt-Ingolstadt) *Excesses of the real? Christoph Büchel’s Barca Nostra and art criticism*   4:00–4:30 pm **Coffee Break**   4:30–6:30 pm **Panel 2: Excessive Esthetic and (Queer) Identities**   [Julia Skelly](https://www.adbk.de/index.php?option=com_content&view=article&id=2589:julia-skelly&catid=45) (Montreal) *Interrogating Art History’s Excesses: Mickalene Thomas and Queer Black Decadence*   [Daniel Berndt](https://www.adbk.de/index.php?option=com_content&view=article&id=2590:daniel-berndt&catid=45) (Berlin/Zürich) *More than Extra – Drag and Queer Identities in Ryan Trecartin’s and Lizzy Fitch’s Video Works*   **Thursday, June 18, 2020**   10.30 am–12.30 pm **Panel 3: Art and the Excess of Objects**   [Rahma Khazam](https://www.adbk.de/index.php?option=com_content&view=article&id=2587:rahma-khazam&catid=45) (London/Paris) *On Objects and their Excesses*   [André Rottmann](https://www.adbk.de/index.php?option=com_content&view=article&id=2588:andre-rottmann&catid=45) (Berlin) *Another Vision of Excess: The Case of Cameron Rowland*   12.30 pm–1:30 pm **Break**   1:30 pm–3:30 pm **Panel 4: Accumulation and Excesses of Information in the Arts**   [Elisa Linseisen](https://www.adbk.de/index.php?option=com_content&view=article&id=2591:elisa-linseisen&catid=45) (Paderborn) *Digital | Monumental. Excessive Data Processing in the Work of Ryoji Ikeda*   [Serena De Dominicis](https://www.adbk.de/index.php?option=com_content&view=article&id=2592:serena-de-dominicis&catid=45) (Rome) *Excess. Art Faced to the Productivist Economic Model*   3:30 pm–4:00 pm **Final Discussion** [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/without-measure-excesse-s-in-contemporary-art.md) ## Public cx events   **Resisting) Extractivism** Artist and Theorists on Mining the Planet Online-lecture series of the cx/Academy of Fine Arts Munich in cooperation with the Zeppelin Museum, Friedrichshafen, Museum of work Hamburg, Grassi Museum für Völkerkunde, Leipzig and the Deutsches Bergbau-Museum Bochum, Leibniz Research Museum for Geo-resourcen   **Dates**: 31.10., 21.11., 28.11. und 12.12.2023 **ZOOM Lin**k: https://eu02web.zoom-x.de/j/68143966856?pwd=SVl1TXVBVFZYbHdpR2Q4aEszQUhUQT09 **Contac**t: [susanne.witzgall@adbk.mhn.de](mailto:susanne.witzgall@adbk.mhn.de)   In a literal sense extraction means „the forced removal of raw materials and life forms from the earth’s surface, depth, and biospheres“ (Mezzarda/Neilson). It refers in particular to the mining of non-renewable fossil fuels, building materials and raw earth minerals. Extractivism raises this form of extraction as well as the plundering of agricultural land, and oceans, the exploitation of genetic resources, digital data or labour power to the status of a principle (Willow). In this respect, the term designates not only a certain economic model focusing on the export of raw materials but also a central logic of (neo)liberal capitalism serving material and immaterial accumulation. Extractivism shows an upward trend despite it’s devastating ecological and social record.   The lecture series „(Resisting) Extractivism“ brings together contributions by artists and theorists who, in light of this troubling trend, critically analyze the extractivist logic of globalized capitalism and conceive resistant models. The different artistic and scientific approaches explore how the exploitative mechanism of Extractivism operates, with which strategies of ap- and expropriation it is connected and in what way such strategies are rooted in the history and persistent presence of colonialism and racism. They visualize the devastating effects of excessive extractivism and imagine or realize postextractivist life forms as well as oppositional aesthetic and activist practices. The Online-lecture series is part of the nationwide, interdisciplinary project “Mining. Extracting the Future”.   Tuesday, 31st of October 2023, 6 p.m. **Extractive Capitalism** Armin Linke, artist, photographer and filmmaker, Berlin Elizabeth Povinelli, Franz Boas Professor of Anthropology and Gender Studies at Columbia University   Tuesday, 21st of November 2023, 6 p.m. **Mining Waste** Design Earth (Rania Ghosn, El Hadi Jazairy), speculative architects, Cambridge, MA/Ann Arbor, Michigan Myra J. Hird, Professor in the School of Environmental Studies, Queen’s University, Canada   Tuesday, 28th of November 2023, 6 p.m. **Unfortunately, this event will not take place! ** **White Geology** Otobong Nkanga, artist, Antwerp Kathryn Yusoff, Professor for Inhuman Geography, Queen Mary Universität, London   Thuesday, 12th of December 2023, 6 p.m. **Decolonial Visions** Imani Jacqueline Brown, artist, activist and researcher, London Macarena Gómez-Barris, Professor of Social Science and Cultural Studies, Pratt Institute, New York   ________________________________________________________________________________   **Strange Ecologies** public lecture series (online) organized and moderated by Prof. Nils Norman und Dr. Susanne Witzgall **Time**Tuesday or Thursday 7.00–9.15 pm., dates: 08.11., 22.11., 12.01, 24.01. and 26.01. (recap only for students of the academy) **registration:**n[ils.norman@adbk.mhn.de](mailto:ils.norman@adbk.mhn.de) Many conventional environmental and sustainability movements are prone to reproduce gender binaries, white supremacy as well as patriarchal and capitalist power relations due to their normative perspectives on ‘nature’. Furthermore, poor people, people with disabilities and people of colour suffer the most from the consequences of natural resources extraction, environmental destruction and climate change. They take up “the body burdens of exposure to toxicities and to buffer the violence of the earth” (Kathryn Yusoff). Queer, feminist and decolonial approaches in theory, the visual arts and activism are therefore fostering a new conception of ecology and a different care for the environment; radically subverting the constructs of race, class, nationality and gender as well as their naturalisation (Nicole Seymour), and offering alternative futures for everyone. The four-part lecture series “Strange Ecologies” is dedicated to contemporary artistic, academic and activist approaches of queering and decolonising of ecology. It will investigate strategies that question normative views and familiar presuppositions regarding ‘nature’ and our human and more-than-human co-existence. The lecture series is not only confined to critique, but also addresses productive practices that relate differently to the environment. These practices encompass among other things: alternative collective agriculture; eco-erotics and other ways of living with damaged landscapes.   Tuesday, 8th of November 2022, 7:00 pm **Queering environmental futures** Lee Pivnik, artist, Institute of Queer Ecology, Miami Nicole Seymour, Associate Professor of English, California State University, Fullerton   Tuesday, 22nd of November 2022, 7:00 pm **Decolonizing the farm** Fritz Haeg, artist, Salmon Creek Farm, California Carole Wright, creative urban activist, community gardener, beekeeper and founding member of Blak Outside, London Thursday, 12th of January 2023, 7:00 pm **Indigenising Belongings** KimTallBear, Professor, Faculty of Native Studies, University of Alberta   Tuesday, 24th of January 2023, 7:00 pm **Living with disabled Ecologies** Amanda Cachia, art historian, author and curator, San Diego Tejal Shah, artist and educator, PIr (Himachai Pradesh)   ____________________________________________________________________________   **Caring Co-Existence** Panel with online-lectures by Alexandra Daisy Ginsberg (London) and Paulo Tavares (Brasilia)Friday, 22nd of October 2021, from 5:30 to 8:00 p.m.  Online-event, please register here: [https://wiki.tum.de/x/fgf-Nw](https://wiki.tum.de/x/fgf-Nw)   Public inaugural event of our project „Cross Challenge I: Caring Co-Existence“ with online-lectures by the London based artist and designer **Alexandra Daisy Ginsberg **and the Brazilian architect and urbanist **Paulo Tavares**. The evening will focus on the question how to imagine and foster multi-species cohabitation in the face of “capitalist ruins” (A. Tsing) and a “damaged planet” (D. Haraway). Subsequent to the lectures there will be a short panel discussion. To join the event please register here [https://wiki.tum.de/x/fgf-Nw](https://wiki.tum.de/x/fgf-Nw). We will then provide you with the link in time.   Cross Challenge is a joint trans-disciplinary project format between the Young Academy of the Technische Universität München (TUMJA), the Academy of Fine Arts Munich (AdbK/cx), the University of Television and Film Munich (HFF) as well as the University of Music and Performing Arts Munich (HMTM). Students from these four institutions are invited to develop a joint project in small groups. They will receive a small production budget, input from international experts within the framework of workshops and lectures and will be accompanied and supported by lecturers of the partner institutions. Cross-Challenge wants to promote trans-disciplinary research early on and especially the collaboration between scientists and artists, as we believe in its pioneering innovation and transformative potential.   **Biographies of the speakers**   **Alexandra Daisy Ginsberg** is an artist examining our fraught relationships with nature and technology. She has spent over ten years experimentally engaging with the field of synthetic biology, developing new roles for artists and designers. In 2017 Ginsberg completed her PhD by practice, at London’s Royal College of Art (RCA), interrogating how powerful dreams of “better” futures shape the things that get designed. She read architecture at the University of Cambridge, was a visiting scholar at Harvard University, and received her MA in Design Interactions from the RCA. Daisy won the World Technology Award for design in 2011, the London Design Medal for Emerging Talent in 2012, and the Dezeen Changemaker Award 2019. She exhibits internationally, including at MoMA New York, the Museum of Contemporary Art, Tokyo, the National Museum of China, the Centre Pompidou, and the Royal Academy. Her work is held in private and museum permanent collections, including the Art Institute of Chicago, the Cooper Hewitt Smithsonian Design Museum, and ZKM Karlsruhe.    **Paulo Tavares** is an architect, writer, and educator. His work has been featured in various exhibitions and publications worldwide, including *Harvard Design Magazine*, the Oslo Architecture Triennial, the Istanbul Design Biennale, and the São Paulo Biennial. He is a long-term collaborator of Forensic Architecture and the author of the books *Forest Law* (2014), *Des-Habitat* (2019), and *Memória da terra* (2020). 2019 he was cocurator of the Chicago Architecture Biennial. Tavares’ design and teaching practice spans different territories, social geographies and media. He taught design and visual cultures at the Faculty of Architecture, Design and Art at the Pontifical Catholic University of Ecuador in Quito and prior to that led the MA programme at the Centre for Research Architecture at Goldsmith (London). He currently teaches spatial and visual cultures at the University of Brasília in Brazil and leads the architectural agency autonoma, a platform dedicated to urban research and intervention. ** ** [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/strange-ecologies.md) ## 2:1-Stipendium-Hybride Ökologien There is no translation available. **Arbeitsstipendium****2016/17** **und 2017/18** in Höhe von 3.000 Euro In den Jahren 2016/17 und 2017/18 bestand für Studierende der Akademie der Bildenden Künste, die am damaligen Jahresprogramm des cx teilnahmen, die Möglichkeit sich um ein Arbeitsstipendium zu bewerben. Das Stipendium in Höhe von 3.000 Euro wurde für ein künstlerisches (Forschungs-)Vorhaben vergeben, das einen inhaltlichen Bezug zum Jahresthema aufwies und auf einer interdisziplinären Kooperation (mit einem/einer Verteter/in eines anderen Fachbereichs) basiert. Gestiftet wurde das Arbeitsstipendium von SoNet – Soziales Netzwerk e.V. Ziel des Stipendiums war es, bereits in der künstlerischen Ausbildung ein Denken zu fördern, das Fachgrenzen überschreitet und kritisch zu gesamtgesellschaftlichen Entwicklungen beitragen kann. Seitdem ist das Stipendium aufgrund fehlender finanzieller Mittel ausgesetzt.  [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/2-1-stipendium-hybride-oekologien.md) ## Prof. Mariechen Danz There is no translation available. **Gastprofessorin SoSe 2016** cx centrum für interdisziplinäre studien   In ihrer künstlerischen Arbeit erforscht Mariechen Danz den Körper und die Bedingungen von Körperlichkeit und untersucht Möglichkeiten, aber auch Grenzen der Artikulation. So fragt sie, inwieweit das Vermögen von Sprache oder die Lesbarkeit und Hierarchie von Zeichen Ausdrucksmöglichkeiten eröffnen oder vielmehr verwehren können. Danz arbeitet mit Kostümen, Zeichnungen, Skulpturen und Installationen und aktiviert diese im Rahmen von inszenierten Performances, bei denen der Stimme eine zentrale Rolle zukommt. Die gebürtige Irin studierte an der Universität der Künste, Berlin, an der Gerrit Rietveld Academy, Amsterdam und am California Institute of the Arts, wo sie 2008 mit einem MA in Art & Integrated Media abschloss. Ihrer Arbeit wurden Einzelausstellungen in der GAK – Gesellschaft für Aktuelle Kunst, Bremen, am CAN Centre d’Art Neuchâtel und im Kunstverein Göttingen gewidmet. Ferner waren ihre Arbeiten weltweit im Rahmen von Gruppenausstellungen zu sehen, unter anderem am Palais de Tokyo in Paris, im Kunsthaus Bregenz, im New Museum, New York, und demnächst in *Mapping the Body* in der Galerie im Taxispalais in Innsbruck und in *Polyphonies* am Centre Pompidou Paris. Die Künstlerin lebt und arbeitet in Berlin und ist aktuell Stipendiatin des Arbeitsstipendiums des Berliner Senats (2016). Zuvor erhielt sie das Karl Schmitt-Rottluff Stipendium (2014) und den Villa Romana Preis (2013). [https://vimeo.com/user30951931](https://vimeo.com/user30951931) [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/mariechen-danz.md) ## Futur(e) Mensch There is no translation available. Die Gegenwart der Zukunft Interdisziplinäre Vortragsreihe, WS 2014/15   28.01.2015 **Futur(e) Mensch** mit Karin Harrasser und Johannes Paul Raether   **Karin Harrasser** ist Professorin für Kulturwissenschaft an der Kunstuniversität Linz. Nach einem Studium der Geschichte und der Germanistik schrieb sie ihre Dissertation an der Universität Wien und wurde an der Humboldt-Universität zu Berlin über „Prothesen. Figuren einer lädierten Moderne“ habilitiert. Neben ihren wissenschaftlichen Tätigkeiten war sie an verschiedenen kuratorischen Projekten beteiligt, darunter bei der NGBK in Berlin, bei Kampnagel in Hamburg und am Tanzquartier Wien. Mit Elisabeth Timm gibt sie die *Zeitschrift für Kulturwissenschaften* heraus. Ihre jüngste Publikation, *Körper 2.0. Über die technische Erweiterbarkeit des Menschen*, ist 2013 bei transcript erschienen.   **Johannes Paul Raether** lebt und arbeitet in Berlin. Während des Studiums an der Universität der Künste Berlin arbeitete er in verschiedenen selbstorganisierten Projekten, unter anderem der Freien Klasse. Von 2006 bis 2011 war er Mitorganisator des Artist-run-space „Basso“ und beteiligte sich an dessen kollektiven Performances. Zusammen mit dem Duo *Discoteca Flaming Star* organisierte er unterschiedliche Performanceprojekte und gab das Buch „Zeig Her, Führ Vor, Tausch Ein. Performance—Art—Academy“ (2013) heraus. Seine Arbeiten und Performances wurden, u.a. im KUMU Art Museum, Tallinn (2010), National Centre for Contemporary Art, Ekaterinburg (2010), Tensta Konsthall, Stockholm (2010), NGBK Berlin (2011), Kunsthaus Bregenz (2012), Goethe-Institut Johannesburg (2012), KW Institute for Contemporary Art, Berlin (2013), kaf, Theran (2013), District Berlin (2013) und Savvy Contemporary, Berlin (2014) präsentiert, sowie in Einzelausstellungen u.a in der Galerie September, Berlin (2011), im Künstlerhaus Stuttgart (2012), und in Ludlow 38, New York City (2014). Raether veröffentlicht regelmäßig bei *Texte zur Kunst* und hatte 2013 eine Gastprofessur an der Hochschule für Bildende Künste Hamburg inne. Er erhielt u.a. den Villa Romana Kunstpreis (2015) und das Jahresstipendium der Kunststiftung Baden-Württemberg (2012). [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/futur-e-mensch.md) ## Dr. Angelika Nollert ![Dr. Angelika Nollert](https://www.adbk.de/images/stories/lehrangebot/cx/personen/angelika-nollert.jpg) There is no translation available. Dr. Angelika Nollert ist seit dem 1. Mai 2014 Direktorin der „Neue Sammlung – The International Design Museum Munich".     Angelika Nollert studierte nach einer Bankausbildung Kunstgeschichte, Archäologie und Germanistik an den Universitäten Würzburg und Münster. Sie arbeitete für Ausstellungsprojekte in verschiedenen Museen, u.a. für „Skulptur. Projekte in Münster 1997". Von 1997 bis 2000 war sie Kuratorin des „Portikus" in Frankfurt am Main und übernahm 2001/2002 die Projektleitung der „documenta 11" in Kassel. Von 2002 bis 2007 leitete sie den Bereich Bildende Kunst beim „Siemens Arts Program" in München und von 2007 bis 2014 das „Neuen Museum – Staatliches Museum für Kunst und Design" in Nürnberg.   [http://www.die-neue-sammlung.de/](http://www.die-neue-sammlung.de/)   [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/dr-angelika-nollert.md) ## Cooperations The cx centre for interdisciplinary studies cooperates in the conception and organisation of events with faculties of other universities and cultural bodies in Munich as well as across Germany.     **Previous partners**   External partners - [Rachel Carson Center for Environment and Society, LMU Munich](https://www.carsoncenter.uni-muenchen.de/index.html) - [Burg Giebichenstein University of Art and Design Halle](https://www.burg-halle.de/en/university/) - [Hochschule für Fernsehen und Film (HFF), München](http://www.hff-muenchen.de/) - [Architekturmuseum, TU München](http://www.architekturmuseum.de/) - [Bonner Kunstverein](http://www.bonner-kunstverein.de/) - [Kunstverein München](http://www.kunstverein-muenchen.de/) - [MaximiliansForum, München](http://maximiliansforum.de/) - [Lehrstuhl für Komparatistik, LMU](http://www.komparatistik.uni-muenchen.de/) - [Haus der Kunst, München](http://www.hausderkunst.de/) - [Hochschule für Bildende Künste Hamburg](http://www.hfbk-hamburg.de/de/) - [Folkwang Universität der Künste, Essen](http://www.folkwang-uni.de/) - [Hochschule für Musik und Theater, München](http://website.musikhochschule-muenchen.de/) - [Institut für Ethnologie, LMU](http://www.ethnologie.uni-muenchen.de/) - [Münchner Kammerspiele](https://www.muenchner-kammerspiele.de/)   Internal partners - [Erzgusswerkstatt ](https://www.adbk.de/de/lehrangebot/studienwerkstaetten/47-lehrangebot/studienwerkstaetten/159-erzguss.html) - [Lehrstuhl für Produktgestaltung](http://architekturdesign.adbk.de/category/produktgestaltung/) - [Masterstudiengang ArchitekturDesign](http://architekturdesign.adbk.de/) - [Masterstudiengang Architektur und Kunst](http://klasse-baumschlager.de/) - [Lehrstuhl für Bildnerisches Gestalten und Therapie](https://www.adbk.de/de/lehrangebot/weiterfuehrende-studiengaenge/bildnerisches-gestalten-und-therapie.html) - [Lehrstuhl für Kunstgeschichte](https://www.adbk.de/de/lehrangebot/theorielehrstuehle/kunstgeschichte.html) - [Klasse Nicolai](https://www.adbk.de/de/lehrangebot/freie-kunst/40-lehrangebot/freie-kunst/219-klasse-prof-olaf-nicolai.html) - [Lehrstuhl für Philosophie](https://www.adbk.de/en/lehrangebot-en/chairs-of-theory/philosophy.html) [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/cooperations-cx.md) ## Symposium WS There is no translation available. Symposium WS [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/symposium-ws-2013-2014.md) ## Netzwerk There is no translation available. Das cx centrum für interdisziplinäre studien arbeitet am Aufbau eines Netzwerkes ähnlicher interdisziplinärer Hochschulprogramme und setzt sich für den Erfahrungs- und Wissensaustausch in der interdisziplinären Lehre und Forschung ein. [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/netzwerk.md) ## Committee Prof. Urs Greutmann Prof. Res Ingold Prof. Dr. Florian Matzner Prof. Dr. Maria Muhle Prof. Dr. Olaf Nicolai Prof. Julian Rosefeldt Prof. Dr. Dietmar Rübel Artistic workshop leaders: Dr. Katrin Kinseher, Dr. Martin Schmidl Student representatives: Anneke Marie Huhn, Mariella Maier The committee of the **cx** consists of representatives of the presidium, five study courses, artistic workshops, theoretical faculties of the Academy as well as student representatives and the chair of the student convention. [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/committee.md) ## Record of Achievement The cx course offerings are open to all students of the Academy of Fine Arts in Munich. Students of the free classes, who are specifically invited to participate, thus have the opportunity to obtain individual certificates (credits) or a certificate for interdisciplinary studies. These records of achievement can be used in the event of transfer to another degree programme or university or when applying to post-graduate programmes. **Certificate (total 22 credits/ECTS points)** After completion of all three study units of the programme, including both semesters, the student shall be issued a certificate for interdisciplinary studies. This requires attendance at the WS lecture series including the lecture-seminar, participation in one theoretical seminar of the student’s choice in winter or summer semester (incl. seminar project), and the practical project work. The latter can consist of attendance at two multi-day study programme workshops, or a project in the project classes of the guest professor or an academy professor. This course combination guarantees close integration of practical and theoretical teaching, greater acquisition of interdisciplinary knowledge, as well as reflection, exploration and analysis of the annual topic. **Individual certificates and credits** The interdisciplinary study programme also provides students with the opportunity to attend designated courses or course combinations and acquire proof of participation (credits). Credits for the **Fine Arts Diploma** and the **Art Education Degree** can be earned. Appropriate courses are labelled with the corresponding module number. The following credits can be acquired in the interdisciplinary study programme: **Fine Arts Diploma** (SPO 04.10.2018) Theory seminar or lecture in the foundation studies (FK-T2) Theory seminar or lecture in art history in advanced level studies (FK-T3) Theory seminar or lecture in philosophy and aesthetics in advanced level studies (FK-T4)   **Art Education Degree** Exemplary art history (D.05.09) Media theory (C.01.09) and media pedagogy (B.06.09) Last but not least, the permanent teaching staff of the interdisciplinary study programme offers academic advice to all students and doctoral students with interdisciplinary focuses and research interests. The interdisciplinary study programme is open to students from other universities in Germany and abroad insofar as a mutual cooperation agreement exists or can be concluded.   {phocadownload view=file|id=387|target=s} [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/proof-of-performance.md) ## 2:1-Stipendium There is no translation available. **Arbeitsstipendium****2016/17** **und 2017/18** in Höhe von 3.000 Euro In den Jahren 2016/17 und 2017/18 bestand für Studierende der Akademie der Bildenden Künste, die am damaligen Jahresprogramm des cx teilnahmen, die Möglichkeit sich um ein Arbeitsstipendium zu bewerben. Das Stipendium in Höhe von 3.000 Euro wurde für ein künstlerisches (Forschungs-)Vorhaben vergeben, das einen inhaltlichen Bezug zum Jahresthema aufwies und auf einer interdisziplinären Kooperation (mit einem/einer Verteter/in eines anderen Fachbereichs) basiert. Gestiftet wurde das Arbeitsstipendium von SoNet – Soziales Netzwerk e.V. Ziel des Stipendiums war es, bereits in der künstlerischen Ausbildung ein Denken zu fördern, das Fachgrenzen überschreitet und kritisch zu gesamtgesellschaftlichen Entwicklungen beitragen kann. Seitdem ist das Stipendium aufgrund fehlender finanzieller Mittel ausgesetzt.      [Lees meer...](https://www.adbk.de/cx-centre-for-interdisciplinary-studies/2-1-stipendium.md)