Aktuell Article Count: 99
Final exhibitions Article Count: 1
Diplom Article Count: 0
Diplom 25 Article Count: 65
Zum Ende des Wintersemesters zeigen die Absolventinnen (m/w/d) der Freien Kunst ihre Diplomarbeiten. In den Klassen und den Werkstätten im Altbau sowie der AkademieGalerie sind rund 70 Abschlussarbeiten aus den Bereichen Bildhauerei, Bühnenbild und -kostüm, Fotografie, Malerei und Grafik, Medienkunst, Performance sowie Schmuck und Gerät zu sehen.
Eröffnung: Do | 06.02.2025 | 18:00 Uhr | Foyer Neubau | Akademiestr. 4; Verleihung der Diplome und Bekanntgabe der Preisträgerinnen (m/w/d) durch die Präsidentin, Prof. Karen Pontoppidan. Die Ausstellung ist von 19:00 bis 23:00 Uhr geöffnet.
Datum: Fr | 07.02.2025 - Di | 11.02.2025
Öffnungszeiten: Fr, Mo, Di | 14:00 - 20:00 Uhr, Sa & So | 12:00 - 20:00 Uhr
Ort: Akademie der Bildenden Künste München | Altbau | Akademiestr. 2 & AkademieGalerie | U-Bahnhof Universität | Ausgang Akademiestraße
Führungen durch Studierende: Fr | 07.02.2025 | 17:00 Uhr, Sa | 08.02.2025 | 14:00 Uhr, So | 09.02.2025 | 14:00 Uhr; Treffpunkt im Foyer des Altbaus, keine Anmeldung erforderlich.
Preisträgerinnen (m/w/d) Diplom 2025:
DAAD - Preis: Marjan Baniasadi / Klasse Andrea Büttner
Debütantinnenförderung (m/w/d): Antonio Dordevic / Klasse Korbinian Schmidt, ehem. Katrin Brack
Debütantinnenförderung (m/w/d): Silvia Gardini / Klasse Gerry Bibby
Debütantinnenförderung (m/w/d): Béla Juttner / Klasse Peter Kogler
Debütantinnenförderung (m/w/d): Ömer Faruk Kaplan / Klasse Florian Pumhösl
Debütantinnenförderung (m/w/d): Roman Toulany / Klasse Andrea Büttner
Debütantinnenförderung (m/w/d): Tabata von der Locht / Klasse Schirin Kretschmann
Preis des Akademievereins: Haha Wang / Klasse Nicole Wermers
Preis der Erwin und Gisela von Steiner-Stiftung: Pierre-Yves Delannoy / Klasse Julian Rosefeldt
Preis der Stiftung Kunstakademie: Johannes Kiel / Klasse Hito Steyerl
Preis des Stipendienfonds der AdBK München: Sara Mayoral Jimenez / Klasse Alexandra Pirici
Preis des Stipendienfonds der AdBK München: Milena Wojhan / Klasse Peter Kogler
Diplom 24 Article Count: 70
Es ist wieder soweit, zum Ende des Wintersemesters zeigen die Absolvent*innen der Freien Kunst ihre Diplomarbeiten. In den Klassen, den Werkstätten im Altbau und im Garten sind rund 70 Abschlussarbeiten aus den Bereichen Bildhauerei, Bühnenbild und -kostüm, Fotografie, Malerei und Grafik, Medienkunst, Performance sowie Schmuck und Gerät zu sehen.
Eröffnung: Do | 08.02.2024 | 18:00 Uhr | Neubau | Akademiestr. 4; Verleihung der Diplome und Bekanntgabe der Preisträger*innen durch die Präsidentin, Prof. Karen Pontoppidan. Die Ausstellung ist bis 23:00 Uhr geöffnet.
Datum: Fr | 09.02.2024 - Di | 13.02.2024
Öffnungszeiten: Fr, Mo, Di | 14:00 - 20:00 Uhr, Sa & So | 12:00 - 20:00 Uhr
Ort: Akademie der Bildenden Künste München | Altbau | Akademiestr. 2
Preisträger*innen:
DAAD - Preis: Georgia Kaw / Klasse Florian Pumhösl
Debütant*innenförderung: Jonas Höschl / Klasse Olaf Nicolai
Debütant*innenförderung: Ju Young Kim / Klasse Olaf Nicolai
Debütant*innenförderung: Michael Mönnich / Klasse Nicole Wermers
Debütant*innenförderung: Eduardo Palomares / Klasse Alexandra Pirici
Debütant*innenförderung: Rosanna Marie Pondorf / Klasse Peter Kogler
Debütant*innenförderung: Maxine Weiss / Klasse Raphaela Vogel, ehem. Alexandra Bircken
Preis des Akademievereins: Anna Schübel / Klasse Armin Linke
Preis der Erwin und Gisela von Steiner-Stiftung: Younsik Kim / Klasse Raphaela Vogel, ehem. Alexandra Bircken
Preis der Stiftung Kunstakademie: Tatjana Vall / Klasse Pamela Rosenkranz
Preis der Franz Altmann-Stiftung: Merlin Stadler / Klasse Alexandra Pirici
Preis der Franz Altmann-Stiftung: Veronica Burnuthian & Aelita Le Quément / Klasse Toulu Hassani, ehem. Markus Oehlen
Diplom 23 Article Count: 59
Es ist wieder soweit, zum Ende des Wintersemesters zeigen die Absolvent*innen der Freien Kunst ihre Diplomarbeiten. Eine schwimmende Betonskulptur - 800 von 5000 originalen Zeichnungen, jeden Morgen entsteht eine neue – 4 Methoden zur Dekolonisation – Glasobjekte - Malerei – Medienkunst - Musik - Performance. Rund 70 Abschlussarbeiten sind in den Klassen und Werkstätten im Altbau, im Garten und im Neubau zu sehen.
Eröffnung: Do | 09.02.2023 | 18:00 Uhr | Altbau | Historische Aula; Verleihung der Diplome und Bekanntgabe der Preisträger*innen. Die Ausstellung ist von 19:00 – 23:00 Uhr geöffnet.
Datum: Fr | 10.02.2023 - Di | 14.02.2023
Öffnungszeiten: Fr, Mo, Di | 14:00 - 20:00 Uhr, Sa & So | 12:00 - 20:00 Uhr
Ort: Akademie der Bildenden Künste München | Akademiestr. 2 - 4
Diplom 22.2 Article Count: 18
Wir freuen uns, dass wir Ihnen den 2. Teil des Diploms 2022 der Klassen für Freie Kunst als Teil der Jahresausstellung 2022 (24.-31.07.2022) zeigen können. Rund 20 Absolvent*innen zeigen ihre Arbeiten im Sommer, da sie auf Grund der coronabedingten Flexisemester ihren Prüfungstermin verschoben haben.
Diplom 22.1 Article Count: 43
Diplom 21.1 Article Count: 21
Die Ausstellung zum Diplom in der freien Kunst beschließt an der Münchner Kunstakademie das Wintersemester. Aber wir müssen nach wie vor flexibel sein und auf Grund der Corona-Pandemie neue Wege gehen in der Kunst und an den Hochschulen.
Das Wintersemester war wieder ein Flexisemester, bei dem die Studierenden die Wahl haben, ob sie es anrechnen lassen und Prüfungen machen.
Die Kunstakademie bietet ihren Absolvent*innen daher zwei Termine für ihre Abschlussprüfung an, das Diplom 2021 wurde also geteilt.
Diplom 2021.1 ist ein Prüfungstag am 23. März. Aber es kann derzeit keine öffentliche Ausstellung der Abschlussarbeiten stattfinden. Also finden Sie zunächst auf dieser Website eine Präsentation aller Absolvent*innen dieses Tages. Die haben in den letzten Wochen und Monaten intensiv gearbeitet, sie hatten als einzige Zugang zur sonst geschlossenen Akademie.
Diplom 2021.2 wird parallel zur Jahresausstellung 2021 im Juli stattfinden. Hoffentlich mit einer Ausstellung.
Anfang 2022 wird dann auch ein Katalog erscheinen, der das gesamte Diplom 2021 versammelt und dokumentiert.
Diplom 21.2 Article Count: 32
Wir freuen uns, dass wir Ihnen den 2. Teil des Diploms 2021 der Klassen für Freie Kunst wie gewohnt vom 17. - 25.07.2021 in einer Ausstellung zeigen konnten.
Die Ausstellung zum Diplom in der freien Kunst beschließt an der Münchner Kunstakademie das Wintersemester, das aber wieder ein Flexisemester war. Also hat die Kunstakademie ihren Absolvent*innen zwei Termine für ihre Abschlussprüfung angeboten und das Diplom 2021 geteilt.
Diplom 2021.1 fand am 23. März statt. Die Arbeiten dieser Absolvent*innen konnten wir nicht in einer öffentlichen Ausstellung zeigen. Sie finden Sie aber nach wie vor auf Diplom 21.1.
Anfang 2022 wird ein Katalog erscheinen, der das gesamte Diplom 2021 versammelt und dokumentiert.
Hier auf der Website finden Sie zudem die Master des Studiengangs Innenarchitektur und der Klasse für Architektur und Kunst.
Master Article Count: 0
Master 25 | Architektur und Kunst Article Count: 5
Hier finden Sie die Abschlussarbeiten der Absolventinnen (m/w/d) des Masters Architektur und Kunst aus dem Wintersemester 2024/25 und dem Sommersemester 2025.
Master 25 | Innenarchitektur Article Count: 13
Zum Ende des Wintersemesters 2024/25 bzw. des Sommersemesters 2025 zeigen die Absolvierenden des Masterstudiengangs Innenarchitektur ihre Abschlussarbeiten. Von innovativen Produktdesigns bis hin zu Umnutzungskonzepten von Bestandsgebäuden zeigt die Ausstellung die Fähigkeiten der Studierenden, komplexe Herausforderungen zu erkennen und kreativ zu lösen, wobei eine Mischung aus künstlerischen, wissenschaftlichen und nachhaltigen Ansätzen in der Innenarchitektur und dem Produktdesign im Vordergrund steht.
Master 25 | Bildnerisches Gestalten und Therapie Article Count: 8
Master 24 | Architektur und Kunst Article Count: 5
Abschlussarbeiten der Studierenden des Masters Architektur und Kunst aus dem Wintersemester 2023/24 und dem Sommersemester 2024.
Master 24 | Innenarchitektur Article Count: 21
Zum Ende des Wintersemesters 2023/24 bzw. des Sommersemesters 2024 zeigten die Absolvierenden des Masterstudiengangs Innenarchitektur ihre Abschlussarbeiten. Von innovativen Produktdesigns bis hin zu Umnutzungskonzepten von Bestandsgebäuden zeigt die Ausstellung die Fähigkeiten der Studierenden, komplexe Herausforderungen zu erkennen und kreativ zu lösen, wobei eine Mischung aus künstlerischen, wissenschaftlichen und nachhaltigen Ansätzen in der Innenarchitektur und dem Produktdesign im Vordergrund steht.
Master 23 | Architektur und Kunst Article Count: 4
Master 23 | Bildnerisches Gestalten und Therapie Article Count: 4
Master 23 | Innenarchitektur Article Count: 12
Master 22.2 | Innenarchitektur Article Count: 3
Master 22.2 | Architektur und Kunst Article Count: 3
Master 22.1 | Innenarchitektur Article Count: 3
Master 21.2 | Architektur und Kunst Article Count: 7
Wir freuen uns, dass wir Ihnen den 2. Teil des Diploms 2021 der Klassen für Freie Kunst wie gewohnt vom 17. - 25.07.2021 in einer Ausstellung zeigen konnten.
Die Ausstellung zum Diplom in der freien Kunst beschließt an der Münchner Kunstakademie das Wintersemester, das aber wieder ein Flexisemester war. Also hat die Kunstakademie ihren Absolvent*innen zwei Termine für ihre Abschlussprüfung angeboten und das Diplom 2021 geteilt.
Diplom 2021.1 fand am 23. März statt. Die Arbeiten dieser Absolvent*innen konnten wir nicht in einer öffentlichen Ausstellung zeigen. Sie finden Sie aber nach wie vor auf Diplom 21.1.
Anfang 2022 wird ein Katalog erscheinen, der das gesamte Diplom 2021 versammelt und dokumentiert.
Hier auf der Website finden Sie zudem die Master des Studiengangs Innenarchitektur und der Klasse für Architektur und Kunst.
Master 21.2 | Innenarchitektur Article Count: 10
Staatsexamen Article Count: 0
Staatsexamen 2024 Article Count: 23
Im Rahmen der Examensausstellung zeigen die Absolventinnen (m/w/d) aus den Klassen für Kunstpädagogik Arbeiten aus ihrer Studienzeit und Prüfungsarbeiten.
Examenspreisträgerinnen 2024:
Rosa Pfluger
Antonia Lippert
Eröffnung: Fr | 11.10.2024 | 20:00 Uhr; Historische Aula | Altbau | Akademiestr. 2
Datum: Sa | 12.10.2024 - Di | 15.10.2024
Öffnungszeiten: täglich | 14:00 - 20:00 Uhr
Ort: Akademie der Bildenden Künste München | Altbau | Akademiestr. 2
Flyer (Gestaltung Anna Dietze)
Raumplan (Gestaltung Agnes Schmid & Jonathan Göhler)
Staatsexamen 2023 Article Count: 23
Im Rahmen der Examensausstellung zeigen die Absolvent*innen aus den Klassen für Kunstpädagogik Arbeiten aus ihrer Studienzeit und Prüfungsarbeiten.
Examenspreisträger*innen 2023: Babi Brüller, Anne Gauger
Eröffnung: Fr | 13.10.2023 | 20:00 Uhr
Datum: Sa | 14.10.2023 - Di | 17.10.2023
Öffnungszeiten: täglich | 14:00 - 21:00 Uhr
Ort: Akademie der Bildenden Künste | Alt- & Neubau | Akademiestr. 2-4
Staatsexamen 2022 Article Count: 20
Im Rahmen der Examensausstellung (15. - 18.10.2022) zeigen die 20 Absolvent*innen des diesjährigen Examensjahrgangs aus den fünf Klassen für Kunstpädagogik Arbeiten aus ihrer Studienzeit und Prüfungsarbeiten.
Eröffnung: Fr | 14.10.2022 | 20:00 Uhr, Historische Aula im Altbau
Datum: 15.10.2022 - 18.10.2022
Öffnungszeiten: Altbau täglich | 14:00 - 21:00 Uhr, Neubau täglich | 17:00 - 21:00 Uhr
Ort: Akademie der Bildenden Künste München | Akademiestr. 2 - 4
Aktuell - Events Article Count: 1
News Article Count: 72
Veranstaltungsreihen Article Count: 0
Jour Fixe Article Count: 0
The lecture series Jour Fixe at the Academy of Fine Arts Munich is organised by students of the Academy and funded by cross-study funding. International artists are invited to hold a public lecture about their work and to give a workshop for interested students on the following day.
Zurückliegende Veranstaltungen (Jour Fixe) Article Count: 136
Mittwochsreihe Article Count: 0
Die Reihe der Referentinnen (m/w/d) aus aller Welt, die seit Jahren den Diskurs im Studiengang Innenarchitektur der AdBK München im Rahmen der Mittwochsreihe bereichern und beleben, ist lang. Diskussionen kreisen um aktuelle Themen in Architektur, Design und Kunst. Der Austausch mit Gästen aus Nachbardisziplinen verhandelt interdisziplinäre, komplexe Zusammenhänge.
Die Vortragsreihe wird im regelmäßigen Turnus von den Lehrstühlen des Studiengangs organisiert.
Zurückliegende Veranstaltungen (Mittwochsreihe) Article Count: 46
Alumni Forum Article Count: 0
Das Alumni Forum pausiert gerade (Stand März 2025).
Seit dem Wintersemester 2022/23 finden im Rahmen des ALUMNI FORUMS regelmäßig Veranstaltungen statt. In Vorträgen, Workshops und anderen Formaten soll ein Gesprächsraum zwischen ehemaligen und aktuellen Studierenden der Akademie entstehen.
Die Veranstaltungen wurden bis zum Wintersemester 2024/2025 von Dr. Caroline Sternberg im Rahmen des Projekts Alumni AdBK organisiert. Mit finanzieller Unterstützung durch das Präsidium der Akademie.
Logo © Lucie Vyhnálkova
Zurückliegende Veranstaltungen (Alumni Forum) Article Count: 16
Ringvorlesung Feminismen in Kunst und Theorie (Archiv) Article Count: 0
Die Ringvorlesung „Feminismen in Kunst und Theorie" (2021 - 2022) vereinte zeitgenössische Positionen aus Praxis und Theorie und umfasste Vorträge, Workshops, praktische Übungen, Filmscreenings etc.
Das Programm wurde organisiert durch die Frauenbeauftragten der Akademie der Bildenden Künste München.
Zurückliegende Veranstaltungen (Ringvorlesung) Article Count: 5
Feminist Invasion (Archive) Article Count: 0
The lecture series FEMINIST INVASION (2019 - 2022) focused on inviting artists, authors, filmmakers, curators and scholars who deal with feminist issues in various ways. The events approached different feminist practices that promote, analyze, problematize and accompany the process of equality.
The FEMINIST INVASION series thrived above all on exchange, discussion and networking on site. Within FEMINIST INVASION and beyond, no form of sexist, homophobic, racist or otherwise discriminatory behavior was tolerated.
Organised by Sarah Sigmund & Samira Yildirim
Zurückliegende Veranstaltungen (Feminist Invasion) Article Count: 22
Kunstpädagogische Reihe (Archiv) Article Count: 0
Die Kunstpädagogische Reiheᵀᴴ (2021) war eine studentisch organisierte Reihe von Vorträgen und Workshops. Sie beschäftigte sich mit dem Verhältnis von Kunst und Pädagogik/ Erziehung / Vermittlung und den Fragen und Möglichkeiten, die sich daraus ergeben. Eingeladen wurden Künstler*innen, Lehrer*innen, Bildungsarbeiter*innen, Theoretiker*innen, Praktiker*innen und Philosoph*innen, um über ihre Arbeit in Schulen, Kunstinstitutionen und darüber hinaus zu sprechen.
Organisiert von Studierenden aus der Kunstpädagogik.
Zurückliegende Veranstaltungen (Kunstpädagogische Reihe) Article Count: 4
Jahresausstellungen Article Count: 1
Publications Article Count: 0
The Publications of the Academy of Fine Arts Munich
The Academy of Fine Arts Munich regularly issues publications. These document exhibitions in the AkademieGalerie or other art spaces in Munich and beyond, deal with the history of the Academy, collect texts on topics of current art discourse and document international lecture series, present distinguished graduates and much more.
The publications are available in bookshops if not out of print. You can also order the publications directly from the Academy against invoice, unless otherwise stated. In this case, please send an email to
The publications are also available in the Academy’s library for university staff and students.
Exhibition (Publications) Article Count: 22
Documentation of exhibitions
This is where you will find a selection of catalogues on exhibitions by students, classes or inter-class projects at art spaces or the Academy of Fine Arts Munich.
Documentation of the exhibitions at the AkademieGalerie can be found under AkademieGalerie.
Schriftenreihen / Theorie (Publikationen) Article Count: 33
Publication series / Theory
Several publications at the Academy deal with theoretical issues, are part of student projects, document lecture series or combine visual art with textual work.
Akademiegeschichte (Publikationen) Article Count: 11
On the history of the Academy
Some publications deal with the history of the Academy, the development of the institution, the tapestries in the historic auditorium (Aula) and former classes and teaching staff.
Debütanten (Publikationen) Article Count: 21
Catalogues of the debutants
Every year, three diploma students are awarded the Debutant Grant (Debütant*innenförderung). The support is given to produce a publication.
The catalogues are produced with funds from the Bavarian State Government’s Programme for Artists and Publicists of 24 June 1980.
AkademieGalerie (Publikationen) Article Count: 12
AkademieGalerie Munich
Students of the Academy of Fine Arts Munich have been realising exhibition projects specially designed for the AkademieGalerie since 1989. They present the entire spectrum of artistic positions at the Academy. Catalogues documenting the exhibitions are published at irregular intervals. They are designed by students or graduates.
The documentation of other exhibitions can be found under Exhibitions.
Dissertationen (Publikationen) Article Count: 1
Gartenhaus Article Count: 1
AkademieGalerie Munich Article Count: 1
In the AkademieGalerie, students at the Academy of Fine Arts Munich exhibit since 1989 projects designed especially for this room. The AkademieGalerie provides a glimpse into the Academy by presenting the entire spectrum of artistic positions represented there.
AkademieGalerie Kontakt Article Count: 1
AkademieGalerie Termine Article Count: 1
AkademieGalerie Bewerbung Article Count: 1
AkademieGalerie Downloads Article Count: 1
Jour Fixe (Informationen) Article Count: 2
Archiv (Aktuell) Article Count: 2035
Ausstellungen Archiv Article Count: 57
Akademiegalerie Archiv Article Count: 181
Gartenhaus Archiv Article Count: 3
Events Extern Archiv Article Count: 294
Veranstaltungen Archiv Article Count: 77
Stellenangebote Article Count: 1
Datenschutz Article Count: 1
Studium (Archiv) Article Count: 11
Akademie Article Count: 0
Committees and Representatives Article Count: 6
Staff Article Count: 0
Professors Article Count: 35
Head of Studio Workshops Article Count: 22
Studio Workshop Assistants Article Count: 4
Artistic Assistants Article Count: 33
Research Assistants Article Count: 17
Administration Article Count: 46
Lecturers Article Count: 65
Honorary Professors Article Count: 16
Library Article Count: 7
The library of the Academy of Fine Arts Munich is an academic reference library with a focus on literature on art after 1945 and on contemporary art.
Approximately 150,000 volumes, over 2100 audio-visual media and 80 current periodicals are available to current AdBK students and teaching staff at the in-house reference library. The student ID card is considered a library card and must be presented at the entrance.
Acquisition focus: Literature on contemporary art, exhibition catalogues.
Contact
+49 / 89 / 3852 -113
Opening hours during the semester:
Mon – Thurs: 11 a.m. – 5 p.m.
Fri: 11 a.m. – 3 p.m.
Opening hours during the semester break:
Mon – Fri: 11 a.m. – 3 p.m.
To carry out Internet research in the library, you need your personal LRZ-ID.
Please see the following for information on obtaining an LRZ-ID: http://www.lrz-muenchen.de/services/kennung/studext/
Head of Library
Sabine Muske-Klostermann, graduate librarian, Master of Arts [M.A.] |
Birgit Mangold, graduate librarian |
+49 / 89 / 38 52 -175
Team
Jutta Engels |
Sieglinde Ettl |
Hans-Peter Gottschaldt |
+49 / 89 / 38 52 -2923
Archive Article Count: 1
Please note: The position of archive manager is currently vacant. Nevertheless, we are doing our best to ensure that the archive remains accessible until the position is filled, and we ask for your patience when responding to enquiries.
The purpose of the academy archive is to document the history of the Academy of Fine Arts in Munich as well as the School of Applied Arts.
We support academy teachers and students as well as external researchers who wish to explore the curriculum and course details.
Please send your written requests to the adress noted below. You are welcome to make an appointment with us on request.
Archive
Room A.02_45 (office hours by appointment)
+49 / 89 / 3852 -2999
Profile of holdings Article Count: 1
Archive News Article Count: 44
Student Matriculation Article Count: 1
Publications of the Archive Article Count: 12
Lists of Professors Article Count: 1
Chronicle Article Count: 1
Buildings Article Count: 1
Press and Communication Article Count: 2
Sponsors Article Count: 3
Initiatives (in German only) Article Count: 4
Statutes, regulations, forms (in German only) Article Count: 7
Research Projects Article Count: 2
Hier finden Sie eine Übersicht der an der AdBK München angesiedelten Forschungsprojekte.
International Article Count: 5
Here you can find information for anyone interested in an exchange. Our advisory services are aimed at students for international internships and study visits and at teaching staff and university administration staff who would like to go abroad (Incoming and Outgoing).
The AdBK Munich offers opportunities for international exchange within the framework of ERASMUS+ and through bilateral university cooperation. The International Office establishes and maintains cooperations with international partner universities and is the point of contact for all questions relating to university exchange.
For regular students at the AdBK, there are open office hours on Thursdays from 9:00 a.m. to 12:00 p.m. Please read all the information provided on the website about your planned stay abroad before your visit.
Information regarding applying for financial support is available from our consortium partner KOOR in the following webinars:
Webinar “KOOR - Erasmus Services BW Information Event”
When:
October 16, 2025, 6:00 a.m. Studying abroad
October 21, 2025, 6:00 a.m. Internship abroad
Oct. 28, 2025, 6:00 a.m. PM Additional funding for students in the “fewer opportunities” group and actual cost applications
Quick dial: +496938980596,,64449881597# Germany
Join via audio: +49 69 389 805 96 Germany
Webinar ID: 644 4988 1597
Available international phone numbers
All information and dates can also be found directly at KOOR
Project Coordinator International Office
Rebekka Sigl
Room: E.EG.18 (New Building)
Tel: +49 89 3852-145
Mail:
European Policy Statement (EPS) 2021-2027
Erasmus Declaration on Higher Education Policy of the AdBK Munich
In the European Policy Statement (EPS), the AdBK Munich explains and commits to the core issues of European higher education and the priorities of the current Erasmus program generation. In addition to the university's overarching strategies, you will also find explanations here on the concrete implementation of the program's key principles.
Erklärung zur Hochschulpolitik (in German only)
Internetrecht Article Count: 2
Uncategorised Article Count: 4
Datenschutzerklärung Article Count: 0
Hier finden Sie die Datenschutzerklärungen der Akademie der Bildenden Künste München.
Die weiteren Datenschutzhinweise zu den zusätzlichen zentralen Diensten der bayerischen Kunsthochschulen finden Sie hier.
Datenschutzerklärung Internetauftritt Article Count: 1
Datenschutzhinweise für Videokonferenzsysteme Article Count: 1
Datenschutzhinweise Mobility Online (SOP) Article Count: 1
Datenschutzhinweise Personalauswahlverfahren Article Count: 1
Datenschutzhinweise Bibliothek Article Count: 1
Datenschutzhinweise Hinweisgeberschutz Article Count: 1
Datenschutzhinweise für Fotos bei Veranstaltungen Article Count: 1
Datenschutzhinweise Stipendienvergabe Article Count: 1
Datenschutzhinweise Meldung von Datenschutzvorfällen Article Count: 1
Datenschutzerklärung Alumnimanagement Article Count: 1
Study Article Count: 0
Dear prospective students, dear students,
A warm welcome to the Academy of Fine Arts Munich.
The Academy sees itself as an experimental laboratory, as a breeding ground for solutions beyond all convention. Structurally, it stands between the intellectual-historical heritage that it has to administer, the art market and the individual's attempt to mobilise his or her form-giving powers for a successful life.
The Munich Academy offers the following study programmes:
- Fine Arts (Diploma programme),
- Art education (State examination),
- Interior Architecture (Bachelor's and Master's programmes),
- Architecture and Art (Master's programme) and
- Fine Arts and Therapy (Master's programme)
Further information on the individual degree programmes can be found here.
The study programme is organised in classes. The Academy is home to a total of twenty-five classes led by professors, each representing an individual approach to the visual arts. These classes are complemented by twentytwo excellently equipped study workshops and a large library as well as seminars and lectures in art studies, philosophy and didactics. In addition, the cx centre for interdisciplinary studies offers all students of the Academy of Fine Arts interdisciplinary courses on an annually changing theme. You can find all the details about these courses and the current course catalogue here.
Based on these three pillars - artistic criticism, craft and technical learning and historical-theoretical orientation - the programme is expanded by over sixty teaching assignments. All events - as well as the numerous guest lectures, workshops and excursions - are open to students from all disciplines. Under certain conditions, it is also possible to study as a guest student for a maximum of two semesters. Further information can be found here.
Course programme Article Count: 0
Fine Arts (Diploma) Article Count: 0
The aim of the course is the development and testing of an artistically independent practice. The focus is on engaging with the professor and fellow students within the chosen artistic class. At the end of their studies, graduates are able to adopt and represent their own artistic position and to participate in the international discourse in a theoretically reflective manner. This opens up artistic career fields for graduates. If the diploma examination is passed, the academic degree “Diplom” is awarded, indicating the subject area (fine arts). An application is always possible in the winter semester. You can find more detailed information under “Study – Application”.
Please note that the main language of teaching is German.
Overview of the degree program and its admission requirements
The complete version of the Fine Arts study and examination regulations from October 4, 2018 as well as the qualification regulations can be found under “Statutes & Regulations”.
You can find all examination dates under “Study Organisation - Calendar & important dates”.
Sculpture Article Count: 6
Scenography and Stage Costume Design Article Count: 1
Contextual Practice Article Count: 1
Artistic Writing and Research Article Count: 1
Painting and Graphics Article Count: 7
New Media Article Count: 4
Performance Article Count: 1
Jewellery and Hollowware Article Count: 1
Art Education (State Examination) Article Count: 0
An der Akademie der Bildenden Künste München studiert man Kunst und Kunstpädagogik für das Lehramt an Gymnasien in Bayern im Doppelfach. Es muss kein weiteres Fach studiert werden. Die Professorinnen (m/w/d) und künstlerischen Mitarbeiterinnen (m/w/d) des Studiengangs sind für die künstlerische Ausbildung, analog dem Studium in einer Freien Klasse, verantwortlich. Die zusätzlich benötigten Qualifikationen werden in den entsprechenden Werkstätten und Theorieseminaren erworben.
BEWERBUNG FÜR KUNSTPÄDAGOGIK
Informationen und Beratung: Sekretariat für Kunstpädagogik
MAPPENFORUM
Das Mappenforum bietet Bewerberinnen (m/w/d) die Möglichkeit, sich mit ihrer Mappe bzw. mit den bis dahin entstandenen künstlerischen Arbeiten den Professorinnen (m/w/d) für Kunstpädagogik und deren künstlerischen Mitarbeiterinnen (m/w/d) vorzustellen und die Arbeiten zu besprechen.
Infos und Termine: Sekretariat für Kunstpädagogik
QUEREINSTIEG
Mit dem Quereinsteigerinnen (m/w/d)-Programm reagiert die Akademie der Bildenden Künste München auf das wachsende Interesse von Künstlerinnen (m/w/d) an Vermittlung und Unterricht. Das auf mindestens 3 Jahre angelegte Studium bereitet auf das erste Staatsexamen für das Fach Kunst an Gymnasien vor. Der Schwerpunkt liegt bei der Entwicklung künstlerischer Vermittlungsmethoden und ist neben der pädagogisch-didaktischen Ausbildung ein praktischer.
Das Studium richtet sich an Künstlerinnen (m/w/d) mit einem abgeschlossenen Studium an einer Kunsthochschule oder Akademie und setzt ein Interesse an Pädagogik und gesellschaftlichen Fragestellungen sowie eine aktive, künstlerische Praxis voraus. Desweiteren wird ein Interesse an zeitgenössischer Kunst und künstlerischer Vermittlung vorausgesetzt.
Nähere Informationen finden Sie hier
und erhalten Sie auf Anfrage vom Sekretariat für Kunstpädagogik
Kunstpädagogik Klassen Article Count: 5
Kunstpädagogik Promotion Article Count: 1
Kunstpädagogik Sekretariat Article Count: 1
Kunstpädagogik Intern Article Count: 1
Interior Architecture (Bachelor & Master) Article Count: 0
The Academy of Fine Arts Munich offers two interior architecture courses: a three-year bachelor's degree and a two-year consecutive master's degree. The aim of the programme is to enable students to identify and analyse problems in the complex field of interior architecture, to develop concepts and solutions for such problems using artistic and scientific methods, and to communicate the results of their work in a convincing manner. In particular, students learn skills in the artistic, technical, economic, environmentally friendly and social planning of interiors and the associated structural design of buildings.
The bachelor's programme focuses on teaching the fundamentals of design methodology, drawing and artistic representation, architectural and design history, colour theory, construction technology and building law. Art history and workshop practice are an integral part of the programme, as is work in the field of fine art.
In the consecutive Master's programme, the fundamentals acquired are applied in larger and more complex design tasks. Here, too, workshop practice and work in the field of fine arts are an integral part of the programme.
Please note: The programme will be converted to a new model from October 2026 and will be transformed into an 8-semester Bachelor's programme and a consecutive Master's programme lasting 4 semesters for external graduates and 2 semesters for internal graduates. Further information will be available from March 2026.
Homepage Interior Architecture AdBK Munich
Studiengang Innenarchitektur Article Count: 3
Architecture and Art (Master) Article Count: 1
The Master's programme in Architecture and Art is aimed at design-oriented students who have completed a Bachelor's degree in architecture. The standard period of study is four semesters on a full-time basis. The programme begins in the winter semester.
The universal aspiration and principle of freedom of artistic thought and action is the central theme of our class. Both architects and artists have something in common: the goal of their work is form. In other words, that synthesis of content and form which, beyond its practical value, conveys cultural messages to civil society. The academy's scope of action is therefore also decisive for architects in fulfilling their social mission, free from the exploitation mechanisms of other educational institutions.
Fine Arts and Therapy (Master) Article Count: 0
Images are part of human nature. As homo pictor, we become aware of ourselves through artistic activity and recognition. At the same time, images connect us with other people, even across time and space. With the help of images, we orient ourselves in the world and question it. In this way, experiences that are difficult to convey in words become vivid and communicable. Images have the power to move us and harbour both healing and destructive potential. Images can help people to face the world.
In the Master's programme in Fine Arts and Therapy, artists expand their artistic approaches to include the therapeutic dimension.
For furhter information please visit the German version of the website. Please also note that the main language of teaching is German.
Klasse Bildnerisches Gestalten und Therapie Article Count: 1
Publikationen Bildnerisches Gestalten und Therapie Article Count: 1
Lehrbeauftrage Bildnerisches Gestalten und Therapie Article Count: 1
Theory Article Count: 6
cx centre for interdisciplinary studies Article Count: 12
Project finished on 31.03.2021.
Every year, the cx centre for interdisciplinary studies offers classes and interdisciplinary courses in theory and practical project work on a different topic. These offers are available to all AdBK students. In addition to the main work done by the classes and in the degree programmes, the annual topic is oriented primarily around current artistic, scientific and social discourses. The goal of this interdisciplinary study programme is to integrate theoretical and practical teaching to a greater degree and to promote professional exchange between the academy’s different degree programmes. In addition, through the development of an external network with other universities and their multidisciplinary forums, the cx aims at internationalizing the academy and at improving the exchange of experience and knowledge in interdisciplinary teaching and research to a yet greater degree.
The programme offers students access to other areas of knowledge, techniques and methods, and complements their artistic training with advanced theoretical and interdisciplinary teaching. Lastly, by strengthening graduates’ interdisciplinary expertise, the programme is meant to provide them with new post-graduate study opportunities and open up additional professional fields.
PROGRAMME STRUCTURE
The programme consists essentially of three closely coordinated study units.
1. Interdisciplinary lecture series
The programme lasts one academic year. From 2012 on, it has always begun in the winter semester with a lecture series and/or a symposium to which external scientists and artists have presented work and research results related to the year’s topic. These specialists come from many areas that are not represented at the academy, including the social and natural sciences, writing, music, theatre direction etc. As part of this programme, the academy cooperates with other Munich universities.
2. Degree programmes and interdisciplinary projects
In the summer semester following the interdisciplinary lecture series, an internationally renowned guest professor offers practical project work on the annual topic. His/her temporary project class is open to students in all study programmes. A different guest professor is invited annually and comes from the fields of fine arts, film, music, literature, architecture or design. In addition, professors from each of the academy’s five degree programmes can participate in the interdisciplinary study programme by offering an appropriate course. In the framework of the project, artistic practice is considered to be a research method as well as an independent form of knowledge production.
3. Theoretical seminars
Theoretical seminars accompany the lecture series and project work. Their aim is to shed light on the annual topic and its art-, media- or architecture-theoretical basis, and to reflect on approaches and methods of the different areas and disciplines of specialization. Intersections and flow of information between art as a functional system and other social systems are explored, similarities and differences between the artistic and scientific approaches revealed and the characteristics of "artistic research" analysed.
Lehrveranstaltungen Article Count: 1
Archiv cx ab 2021 Article Count: 0
Annual Theme 2021 Article Count: 1
Further courses 2021 Article Count: 1
Lecture series 2021 Article Count: 9
Annual Theme 2021/22 Article Count: 1
Project classes 2021/22 Article Count: 1
Further courses 2021/22 Article Count: 2
Annual Theme 2022/23 Article Count: 1
Lecture series 2022/23 Article Count: 1
Further courses 2022/23 Article Count: 2
Annual Theme 2023/24 Article Count: 1
Lecture series 2023/24 Article Count: 1
Further courses 2023/24 Article Count: 2
Annual Theme 2024/25 Article Count: 1
Nach der Philosophin Rosi Braidotti drückt sich „unsere aktuelle Verfasstheit“ in einer “negativen affektiven Ökonomie” aus und der Soziologe Stephan Lessenich spricht gar von einer „Gesellschaft am Rande des Nervenzusammenbruchs.“ Die Verschärfung der Umweltkrisen als Folge des extraktiven Kapitalismus und des „kolonialen Bewohnens der Welt“ (Ferdinand) ist nicht nur für anhaltende Traumata im sogenannten 'globalen Süden‘ verantwortlich. Sie führte gerade in den letzten beiden Jahrzehnten in Kombination mit zunehmenden sozialen und kriegerischen Konflikten auch bei vielen Menschen westlicher Staaten zu starken emotionalen Reaktionen und belastenden affektiven Gestimmtheiten. Gleichzeitig lässt sich in Gesellschaften des 'globalen Nordens' paradoxer Weise eine kollektiv produzierte „strukturelle Apathie“ (Slaby), eine emotionale Distanzierung von den zerstörerischen Folgen kapitalistischer Lebensweisen ausmachen.
Mit dem Fortschreiten des ‚Anthropozäns‘ zeichnen sich veränderte menschliche Gefühlslagen und affektive Aufladungen ab, deren Eigenheiten und Widersprüche derzeit zunehmend in den Fokus von Künstler*innen und Wissenschaftler*innen rücken sowie neue Begriffe und Beschreibungsmodi einfordern. Das cx widmet sich im Wintersemester 2024/25 und Sommersemester 2025 sowohl alten, wie neuen oder neu interpretierten Emotionen und Affekten in der gegenwärtigen „Zeit der Ungeheuer, in der das Alte stirbt, und das Neue noch nicht geboren werden kann“ (Gramsci). Während sich die Vorträge und das Seminar im Wintersemester auf die Analyse umweltbezogener Emotionen und Affekte konzentrieren, ohne die die gegenwärtigen sozialen Dynamiken und Natur-Kultur-Verhältnisse nicht verstanden werden können, beleuchtet das Sommersemester die Rolle der Technologie bei der Evozierung, Vermittlung und Modulierung von Affekten im ‚Anthropozän‘.
Lecture series 2024/25 Article Count: 1
Further courses 2024/25 Article Count: 2
Archiv cx 2011 bis 2021 Article Count: 0
Annual Theme 2012/13 Article Count: 0
Power of Material/Politics of Materiality (2012/13)
The first annual topic of the cx centre for interdisciplinary studies at the Akademie der Bildenden Künste München (Academy of Fine Arts Munich) A re-evaluation of material is currently taking place in the visual arts, architecture, and design. Young artists are combining crude or unusual materials with a minimalist formal idiom and in doing so place the focus on their physis and aesthetic qualities. There is talk about "new alchemists", about interaction with and "being guided" by material.
In the same breath, the cultural and social sciences are proclaiming a "material turn", as there are reports of a "parallel refocusing of research" (Bachmann-Medick) on materiality in numerous scientific disciplines. The French sociologist and philosopher Bruno Latour points out that (natural) scientific facts are not only generated by social practices and linguistic discourses, but also by the resistant materiality of things. In the field of archaeology, Colin Renfrew speaks of a "material engagement approach", which highlights the material world's active role in the development of social structures, religious concepts, or social value systems. Thus, one is currently rediscovering the material aspects of the generation of knowledge and social practices as well as of processes of communication and aesthetic productions. In addition, material research has been coming up with a large number of new materials, in particular in the last two decades, that are believed to hold the potential for a fundamental transformation of the economy as well as society as a whole.
The interdisciplinary study programme at the Akademie der Bildenden Künste München is devoting its first annual topic to the current boom of material and materiality in the various artistic and scientific disciplines. The focus is on the rediscovered resistance and influence of material phenomena in the artists and sciences, on their active roles in social, artistic, and epistemic processes.
The programme takes this topic as the point of departure for the material basis of all artistic and design work, as the material conditions for creative and developmental processes. It analyzes the contemporary treatment of material in the fine arts, architecture, and design in theory and practice and relates it to a redefinition and re-evaluation of material in the natural and social sciences. One of the central questions will be whether the latter also hold the potential for social and geopolitical change or ethically motivated behaviour modification, as the representatives of "New Materialism" suggest.
Lecture series 2012/13 Article Count: 9
Ort A.EG.15, Akademiestr. 2 bzw. E.EG.28, Akademiestr. 4
Zeit jeweils um 19.00 Uhr
Project classes 2012/13 Article Count: 3
Further courses 2012/13 Article Count: 3
Annual Theme 2013/14 Article Count: 0
Fragile Identities (2013/14)
Our identities are perpetually reinvented, (de)constructed, and narrated – yet they ultimately remain fragmentary and fragile. Specifically within our present age processes of identity formation are subjected to rapid changes and increasingly divergent challenges.
With its second yearly theme, the cx investigates the multifaceted and complex processes of identification we experience today from the perspective of different artistic and academic disciplines. A three-part symposium thematises fields and phenomena within which identities become fragile and unstable, and questions the limits of the pathological fragmentation of the self. Based on its conviction that identity issues play a significant role in reflecting their time, the cx investigates the fractures and adjacencies of contemporary identity construction with the intention of gaining insight into crises, periods of radical change, and the future potential of today’s world. The event is aimed at students and teachers at the academy, as well as the interested public.
Lecture series 2013/14 Article Count: 6
Room A.EG.15 (historische Aula), Akademiestr. 2
Time 10:00 - 13:00 & 14:30 - 17:30
Film screenings:
Fri | 22 Nov 2013 | 7.00 pm
Emily Wardill, ‘Game Keepers without Game’ (2009)
Fri | 10 Jan 2014 | 7.00 pm
Film evening ‘Fragile Identities’ with films by students and graduates of the HFF and the AdBK Munich
Project classes 2013/14 Article Count: 2
Further courses 2013/14 Article Count: 2
Annual Theme 2014/15 Article Count: 0
The Present of the Future (2014/15)
The times of utopias seems to have passed. Already since the 1980s we constantly hear of the end of the ‛grand narratives’. The subsequent enthusiasm for heterogeneity and plurality meanwhile devolved into a condition of fatigue, which in all its repetitions and nostalgias blocks the view of the future. But what is the “present of the future” today?
The third annual theme of the cx centre for interdisciplinary studies asks, which means and strategies artists and scholars pursue today, to gain a radius of operation which rises from the conditions we are faced with – without falling into nostalgic utopianisms or apocalyptic sensationalisms. How do different disciplines create potentials for change, for the imagination of possible futures beyond modernistic idealisms and romanticist projections? How can they contend for new freedoms within the configuration of our tomorrows, beyond the present routines and determinations? Contemporary answers to those questions range from the openness of experimental systems and the inclusion of contingency into scientific proceedings to speculative and fictive approaches in philosophy, art and design.
Lecture series 2014/15 Article Count: 7
Ort A.EG.15, Akademiestr. 2 bzw. E.EG.28, Akademiestr. 4
Zeit jeweils um 19.00 Uhr
Project classes 2014/15 Article Count: 2
Further courses 2014/15 Article Count: 2
Annual Theme 2015/16 Article Count: 0
Real Magic (2015/16)
“Today, the occult is ordinary”, British cultural scientist Christopher Partridge remarked in 2012, addressing the rising popularity of magic and other occult currents. Especially in Western societies a newly discovered and very lively interest in spirituality, mysticism and magical practices can be witnessed. But the magical or occult herein appears less in the form of a counter-cultural movement, as was the case in the 1960s and 1970s, but seems to evolve as a popular phenomenon that affects society as a whole and is distributed widely not least due to the pervasive digitization of contemporary life. This registers not only in the arts but is also intensely debated in academic and scientific contexts.
In the course of its fourth annual theme, “Real Magic”, the cx centre for interdisciplinary studies investigates the current realities of magic and its rediscovery in the arts, the sciences and in everyday culture. The lecture series of the winter term 2015/16 asks for the reasons for this newly found fascination with the occult, explores Western appearances and forms of magical practices, enquires into current potentials of magical knowledge, but also into the drawbacks of occultism and the limits and dangers of magical thinking in a globalised world determined by the ideal of an economized instrumental reason.
Lecture series 2015/16 Article Count: 7
Ort A.EG.15 (historische Aula), Akademiestr. 2 oder E.EG.28 (Auditorium), Akademiestr. 4
Zeit jeweils Dienstag um 19.00 Uhr
Project classes 2015/16 Article Count: 2
Workshops 2015/16 Article Count: 1
Further courses 2015/16 Article Count: 2
Annual Theme 2016/17 Article Count: 0
Hybrid Ecologies (2016/17)
The notion of ecology is currently in great demand: it not only figures centrally in political and environmental debates in the face of climate change, but also traverses contemporary discourses in the arts, the humanities, and the social and techno sciences, where it intersects with topics including the new materialism, the post-human and the Anthropocene. Ecology in this context can be understood as multi-layered and multi-dimensional nexus of reciprocities between living processes, technological and media practices, the natural and the artificial, information, things, and actants. The lecture series “Hybrid Ecologies” is conceived by the cx centre for interdisciplinary studies together with the Chair of Philosophy |Aesthetic Theory at the Academy of Fine Arts Munich.
Given the current topicality of debates on ecology, it not only draws attention to the historical alliances of this notion with the concept of “milieu”, which genealogically prepare the entanglements of natural and artificial processes. It also examines the biopolitical reformatting of ecology, which frames these entanglements as power-political relations. In this sense, the lecture series considers ecology as a ‘polemical’ notion, whose multivalence opens up new fields of action and yet, thanks precisely to this openness and vast applicability, at the same time poses problems. Against this background the interdisciplinary contributions to the series seek to explore the political and social effects that a rethinking of community in ecological and thus also in biopolitical terms may provoke, and which consequences the contemporary notion of ecology might entail for artistic and design practices in particular.
Interdisciplinary Lecture Series
A cooperation between cx centre for interdisciplinary studies and the Chair of Philosophy l Aesthetic Theory
Room A.EG.15 (historische Aula), Akademiestr. 2
Time Thursday, 19.00h
03.11.2016: Dark Ecologies
Timothy Morton | Rita Shea Guffey Chair in English, Rice University, Houston
Ursula Biemann | artist, writer, and video essayist, Zurich
16.11.2016: Queer Ecologies
Astrid Deuber-Mankowsky | professor of media theory and gender studies, Ruhr-Universität Bochum
Elly Clarke #Sergina | artist, Berlin
01.12.2016: Media Ecologies
Erich Hörl | professor of media culture, Leuphana Universität Lüneburg
BJ Nilsen | sound artist
15.12.2016: (Bio)political Ecologies
Ferhat Taylan | post-doc researcher in philosophy, Université de Liège
Simon Starling | artist, Berlin, Copenhagen
12.01.2017: Designing Ecologies
Betti Marenko | research leader in product, ceramic and industrial design programme, Central St. Martins, University of the Arts London
Martin Avila | design researcher and senior lecturer in industrial design, Konstfack, Stockholm
26.01.2017: Urban Ecologies
Maria Kaika | professor of urban, environmental and regional planning, University of Amsterdam
Godofredo Pereira | architect and tutor, ADS7 Studio, MA Architecture, Royal College of Art, London
Lecture series 2016/17 Article Count: 6
Ort A.EG.15 (historische Aula), Akademiestr. 2
Zeit jeweils Donnerstag um 19.00 Uhr, mit Ausnahme der Veranstaltung am Mittwoch, den 16. November
Project classes 2016/17 Article Count: 2
Further courses 2016/17 Article Count: 2
Annual Theme 2017/18 Article Count: 0
Politics of Emotion/Power of Affect (2017/18)
“[P]olitics is always emotional”, as Lauren Berlant emphasizes. According to the American literary scholar and queer theorist, it is “a scene where structural antagonisms — genuinely conflicting interests — are described in rhetoric that intensifies fantasy”, or that attaches people to dreams of a better life. The relevance of affect and emotions in the realm of realpolitik, but also in societal power relations in general, has increasingly become the focus of scientific and artistic disciplines.
Approaches influenced by the field of affective neurosciences, for example, understand emotions no longer as the opposite of cognition; instead they seem to go ineluctably and necessarily hand in hand.
Particularly in recent political events emotions seem to be on the rise as a currency — in restitutive and reactionary efforts towards exclusion and isolation, for example. The cx centre for interdisciplinary studies takes this as a cue to once again address the theme of affect and emotions as a meaningful category for analyzing the social — almost two decades after the first proclamation of the “Affective Turn”. The sixth lecture series of the cx focuses on the contemporary relations of power and emotions, as in the emotionally saturated technologies of power that promise happiness, or in evocative scenarios of fear and rage, but also in the more positively evaluated power of empathy and move-ments of solidarity. The series investigates the influence of mediated emotions and affective attunements, potential new balances of power through the mechanization of affect, as well as current artistic and design-based reflections and deconstructions of emotional regimes. Following prominent voices of affect theory, like Brian Massumi, this lecture series differentiates between affect as a change of a body’s agency created by the encounter with other bodies, and emotion as a social phenomenon and psychological capture of affect. However, as these terms are multi-faceted and are interpreted and applied differently depending on discipline and theorist, each panel will define and discuss their dissimilarities and transitions anew.
Lecture series 2017/18 Article Count: 8
Ort A.EG.15 (historische Aula), Akademiestr. 2 und Kammerspiele, Kammer 3, Hildegardstraße 1 (Panel „Affektive Atmosphären“) bzw. Kammer 1, Maximilianstraße 26-28 (Panel „Wut und (Ohn)Macht“)
Zeit jeweils Dienstag um 19.00 Uhr, mit Ausnahme der ersten beiden Veranstaltungen am 02.11. und 09.11. (Donnerstag) und des letzten Panels am 02.02.2018 (Freitag)
Project classes 2017/18 Article Count: 1
Workshops 2017/18 Article Count: 1
Further courses 2017/18 Article Count: 2
Annual Theme 2018/19 Article Count: 0
Human after Man (2018/19)
In the face of the enormous challenges of the present moment, with its ecological and social crises, the Western ideal of white man as the universal representative of humanity has repeatedly been subject to critique. It is not only the transdisciplinary discourses of posthumanism and post-anthropocentrism that attack this standardization of being human and deconstruct it together with the assumption that man must assume a uniquely elevated position among the earth’s diverse life forms. The arts, too, for which the image of the human has always been a matter of genuine interest, work intensively towards the abolition of long-established norms of being human, and project alternative forms of the humanity in radical and sometimes highly speculative ways.
With its seventh yearly theme, the cx centre for interdisciplinary studies turns to the question of how the notion of the human is currently being reconfigured in the arts and sciences. The title of the yearly theme refers to Sylvia Wynter’s formulation, “Towards Human after Man.” For several decades, the Jamaican author and philosopher has advocated a perspective rooted in the marginalized and liminal zones of the West’s dominant standardized and racialized configuration of the human, in order to think being human differently. In parallel with a number of other Black Studies theorists, she proposes a decolonial conception of the human, which often remains underexposed in contemporary posthumanist discourses. "Human after Man" makes a decisive attempt to put this decolonial perspective into contact with approaches that see the most pressing impetus for a redefinition of humanity above all in the phenomena of climate change, mass extinction (Ursula K. Heise), or in the ever-tighter fusion of the living and the technical, together with their associated mechanisms of capitalist exploitation (Rosi Braidotti). The lecture series adopts a critical distance from super- or transhumanism and its idea of the technical improvement or expansion of the human. Here, the “human” does not appear only as a biological, but rather as a multifaceted being, the forms of which are also shaped by diverse social and mythological-fictive narratives.
Lecture series 2018/19 Article Count: 7
Room A.EG.15 (historische Aula), Akademiestr. 2
Time every Tuesday, 19:00
Project classes 2018/19 Article Count: 1
Further courses 2018/19 Article Count: 2
Annual Theme 2019/20 Article Count: 0
For its eighth annual theme the cx centre for interdisciplinary studies investigates excess as a distinctive feature of our neoliberal economic system, while also addressing positive aspects of boundary-expanding intemperance that can be understood as refusing the strategies of rational and economic exploitation. To inaugurate the new annual theme, an international lecture series brings together approaches from art, design and the sciences that deal with excessive processes and behavioural forms as well as their consequences. The contributions will discuss the excessive demands made on the individual by constant networking, the flood of information, and self-optimizing, examining the cultural problematic of administering things that have accumulated beyond moderation. In addition, they will analyse the complex relationship between affluence and scarcity, highlighting possible ways out of the excesses of growth as well as the potentials of ecstatic transgressions.
The excessive seems to be inherent to capitalism. It is famously based on growth, which is meant to be guaranteed by constantly promoting new desires and an increase in demand, with a tendency to chronic overproduction. The decadent proliferation of things and optimizing bodies for efficiency finds its counterpart in the current exponentially increasing circulation of information, data, and affects by means of digital communication technologies. In media excesses, messages compete for interpretive authority and for the attention of their recipients,and this struggle triggers an escalation of further subtle dynamics of always trying to outdo the other. As a consequence of such excesses, academics and artists have increasingly begun to diagnose states of physical and mental overload and exhaustion that are no longer related solely to the individual and the body, but that can by now be understood as a planetary phenomenon, in view of dwindling energy sources as well as the destruction and pollution of the Earth. In artistic and academic disciplines, however, the first exit strategies are also beginning to emerge. Some of these strategies seem not least to be examining the extent to which the possibility of resistance is inherent in the excessive itself.
Lecture series 2019/20/21 Article Count: 8
Ort A.EG.15 (historische Aula), Akademiestr. 2, mit Ausnahme der ersten Veranstaltung am 23.10.2019, die in E.EG.28 (Auditorium), Akademiestr. 4, stattfindet.
Zeit jeweils um 19.00 Uhr
Project classes 2019/20/21 Article Count: 1
Further courses 2019/20/21 Article Count: 3
cx-mediathek Article Count: 53
Welcome to the cx mediathek
The lectures documented here are from the interdisciplinary lecture series of the cx. They do not reproduce the series completely, since not all speakers have agreed to their publication. Undocumented are also the moderated conversations with the panel participants subsequent to their respective lectures, in which the different artistic and scientific perspectives were being brought into dialogue with each other. Edited excerpts from these discussions have been published in the cx publications series. Please find the comprehensive list of speakers, organized according to the annual themes, here: cx 2011 - 2021
Publikationen cx Article Count: 1
cx-newsletter Article Count: 1
Dozentinnen (m/w/d) Article Count: 13
Kunstgeschichte Article Count: 2
Archiv Lehrveranstaltungen Article Count: 41
Aktuelle Lehrveranstaltungen Article Count: 1
Philosophie Article Count: 2
Aktuelle Lehrveranstaltungen Article Count: 1
Aktuelles-Philosophie Article Count: 91
Archiv Lehrveranstaltungen (Philosophie) Article Count: 17
Lehrstuhl für Philosophie Article Count: 1
Art Pedagogy Article Count: 0
At the Chair of Art Education | Art and its Didactics, we are continuously developing a diverse range of courses at the interface between art and education. The courses are aimed at students of all grades and degree programmes who are interested in methods of teaching, learning and communication, or in artistic strategies and methods of aesthetic research that take communication into account.
The seminars provide insight into the discourses and history of the subject, but always aim at their practical applicability in school or extracurricular teaching. A variety of teaching formats (seminars, input, workshops, exercises, projects) provide inspiration for planning and questioning art lessons with regard to the plural learning processes of a diverse student body. Here, school is reflected upon as a context in which existing social conditions are reproduced, but also renegotiated. Special attention is paid to showing as a critical practice.
Art education knowledge arises essentially from the testing, reflection and analysis of practice: courses therefore focus on approaches to action and practice research, build on concrete experiences and make decisive use of methods of aesthetic research.
Transnational and transdisciplinary contextualisations are a means for the chair to stimulate a change of perspective on art education in a global, postcolonial context; concepts critical of power and discrimination can provide tools for reflecting on art education thinking and practice.
Finally, the chair at the academy is developing an attractive transitional space in which the desire to experiment, to discover one's own role models, and the joy of joint action (co-creation, collective forms of work) and reflection (practical research, interdisciplinarity) in the field of art and education are revived. In its interface function and through collaborations, this conceptual and material space also aims to infiltrate existing structures and habits – and have a positive, ‘contagious’ effect.
Persons
Prof. Notburga Karl | Chair of Art Education and Didactics
Ann-Jasmin Ullrich, M.A., | Research Assistant
N.N. | Programme Coordinator |
The Long Run Seminar Article Count: 1
Transform Weiterbildung Article Count: 1
Kritilab Article Count: 1
Research Centre for Technoaesthetics Article Count: 0
Veranstaltungen (Forschungszentrum für Technoästhetik) Article Count: 4
Studio Workshops Article Count: 0
In the Studio Workshops students may try out, apply and develop traditional and experimental crafting techniques in conjunction with their own art projects. They are guided individually in respect to particular work projects. If required the staff will teach basics of craftsmanship as well as principles of technical practices. Furthermore the Study Workshops see themselves as laboratories in which hybrid and avant-garde methods are tested and deployed in the context of students´ projects. Some divisions offer introductory courses and/or specific workshops.
Work projects must be scheduled in advance with the heads of Study Workshops. There is no legal claim to on-time completion of student projects.
Overview table of the required protective equipment :
Typography and Letterpress Article Count: 0
Dr. Martin Schmidl
Plastics Article Count: 0
Frank Hilger
Studio Article Count: 1
Impressionen Kunststoff Article Count: 1
Arbeitssicherheit Kunststoff Article Count: 1
Technique of Painting Article Count: 0
Dr. Kathrin Kinseher
Studio Article Count: 1
Lehrangebot Maltechnik Article Count: 1
Ausstattung Maltechnik Article Count: 1
Arbeitssicherheit Maltechnik Article Count: 1
Fachliteratur Maltechnik Article Count: 1
Geschichte Maltechnik Article Count: 1
Media Education Article Count: 0
Hubert Sedlatschek
Angebote und Workshops Article Count: 1
Studio Article Count: 1
Medienkompetenz für die Kunstlehre am Gymnasium Article Count: 1
Module & Prüfung Article Count: 1
Studienwerkstattordnung Neue Medien Article Count: 1
Newslettter New Media Article Count: 1
New Media Article Count: 0
Iska Jehl
Aktuell - Neue Medien Article Count: 1
Workshops Article Count: 1
New Media Studio Article Count: 1
Fine Art Prints Article Count: 1
Studio-Rules New Media Article Count: 1
Newslettter New Media Article Count: 1
Neue Medien Archiv Article Count: 16
Computer aided three dimensional shaping Article Count: 0
David Curdija
Studienwerkstatt - Rechnergestützte dreidimensionale Formgebung Article Count: 1
Textil Article Count: 0
Birgit Wagner
Studienwerkstatt für Textil Article Count: 1
Workshops Article Count: 1
Ausstattung Article Count: 1
Archiv Studienwerkstatt für Textil Article Count: 1
Aktsaal Article Count: 1
Raum
A.O2.06 | Akademiestr. 2 (Altbau)
Leitung
Anke Doberauer
Betreuung
Lola Cuallado |
Anna Baumgartner |
Informationen für externe Teilnehmerinnen (m/w/d)
Externe Personen können nach persönlicher Vorstellung mit eigenen Arbeiten bzw. Rücksprache mit dem/der gewünschten Dozenten/Dozentin und der Überweisung eines Semesterbeitrages an einem Kurs ihrer Wahl teilnehmen. Die Teilnahmegebühr für einen Kurs beträgt aktuell 262 Euro / Semester.
Bitte beachten Sie, dass die Gebühr auf Grundlage der laufenden Kosten errechnet und dementsprechend regelmäßig angepasst wird.
Bitte hier Formular herunterladen
Kurse Wintersemester 2025/2026
Montag 16.00-20.00 Uhr
Studentisch organisiertes Aktmalen: Lange Posen
Arbeitsplätze: offene Teilnehmerzahl
Serafina Gmach, Benigno Alba Valdés
Kontakt
Anmeldung zum Kurs ist ausschließlich über E-Mail möglich (es besteht keine Möglichkeit, einen Schein zu bekommen)
An mehreren Terminen hintereinander wird dasselbe Modell für insgesamt drei Stunden dieselbe Pose halten (mit einer Stunde Aufwärmposen).
Ein Zuspätkommen oder früheres Gehen ist bei diesem Kurs auf Grund der nötigen Ruhe nicht möglich.
Dienstag 12.00-16.00 Uhr
Line Work
Arbeitsplätze 6
Rawle Harper (Lehrbeauftragter)
Kontakt
Anmeldung zum Kurs über das E-Campus Portal UND zusätzlich durch eine Mail an den Dozenten.
In this class, the focus is on pure line drawing. The goal is to develop strong drawing skills and practices, through the strengthening of the line, with structured exercises aimed to improve students drawing abilities.
Drawing is thinking: expressing thought, and feeling through lines. Line represents the touch of the eye, feeling form and structure, eventually to be expressed in a drawing. It all begins with a line.
In diesem Kurs liegt der Schwerpunkt auf der reinen Strichzeichnung. Das Ziel ist es, starke zeichnerische Fähigkeiten und Praktiken zu entwickeln, in dem die Linienführung gestärkt wird durch strukturierte Übungen, die darauf abzielen, die zeichnerischen Fähigkeiten der Studierenden zu verbessern.
Dienstag 17.00-20.00 Uhr
Abendaktzeichnen Line Work
Arbeitsplätze 6
Rawle Harper (Lehrbeauftragter)
Kontakt
Anmeldung zum Kurs über das E-Campus Portal UND zusätzlich durch eine Mail an den Dozenten.
In this class, the focus is on pure line drawing. The goal is to develop strong drawing skills and practices, through the strengthening of the line, with structured exercises aimed to improve students drawing abilities. Drawing is thinking: expressing thought, and feeling through lines. Line represents the touch of the eye, feeling form and structure, eventually to be expressed in a drawing. It all begins with a line.
In diesem Kurs liegt der Schwerpunkt auf der reinen Strichzeichnung. Das Ziel ist es, starke zeichnerische Fähigkeiten und Praktiken zu entwickeln, in dem die Linienführung gestärkt wird durch strukturierte Übungen, die darauf abzielen, die zeichnerischen Fähigkeiten der Studierenden zu verbessern.
Mittwoch 10.00–14.00 Uhr
Aktzeichen: Zeichnen und Sehen lernen / Porträt und Akt Nude drawing: portrait and nude
Arbeitsplätze: offene Teilnehmerzahl
Regine von Chossy (Lehrbeauftragte)
Kontakt
Anmeldung zum Kurs über das E-Campus Portal.
Experimentierfreudiges Zeichnen von Porträt und Akt mit inspirierenden Modellen. Wegweiser zur freien Kunst im Wechsel von Inspiration und Reflexion.
Begleitend zum Kurs empfehle ich mein Buch: »Workshop Zeichnen - Akt, von der Studie zum Bild«. Es ist leider vergriffen, aber online zu finden unter
https://www.chossy.de/medien/buecher
Mittwoch 17.00-19.00 Uhr
Aktzeichnen Nude drawing
Arbeitsplätze: offene Teilnehmerzahl
Alexander Shimanovskiy, BBK
Kontakt
Anmeldung zum Kurs via E-Mail an den Dozenten.
Zeichnen des menschlichen Körpers. Plastische Darstellung auf dem Papier mit verschiedenen grafischen Mitteln. Geübt werden Räumlichkeit, Proportionen, Aussagekraft.
Der Kurs wird vom Bundesverband bildender Künstlerinnen und Künstler ausgerichtet. Er ist offen für Studierende der Akademie.
Mittwoch 18.15-20.30 Uhr (15.10. bis 03.12.25)
Gemeinsames Aktzeichnen von Medizin- und Kunststudierenden (AiMs)
Eine Kooperation der AdBK mit der Medizinischen Fakultät der LMU
Jörg Besser (Lehrbeauftragter)
Kontakt
Anmeldung zum Kurs über das E-Campus Portal UND zusätzlich durch eine Mail an den Dozenten.
Ansprechpartner der LMU:
Grundlagen der Aktzeichnens für Kunst- und Medizinstudierende: wie bilden sich der Gemütszustand des Modells, Anspannung oder Entspannung in seiner Stellung ab? Wie vereinfacht man die anspruchsvollen organischen Formen im Raum und bringt sie in die Zweidimensionalität? Zeichnen mit dem Bleistift HB auf Papier Din A3.
Der gemeinsame Kurs für Medizinstudierende und Studierende der Akademie soll den interdisziplinären Austausch fördern!
Donnerstag 11.00-18.00 Uhr (Mittagspause 13.00-14.00 Uhr)
Aktmalen Nude painting
Arbeitsplätze: offene Teilnehmerzahl
Melissa Mayer Galbraith (Lehrbeauftragte)
Kontakt
Anmeldung zum Kurs über das E-Campus Portal UND UNBEDINGT zusätzlich durch eine Mail an die Dozentin.
Übung zur Wahrnehmung von Farbe, Proportion und Bildaufbau, Studium verschiedener Maltechniken.
Freitag 10.00-17.00 Uhr
Anatomisches Zeichnen für Künstler Anatomical drawing for artists
Arbeitsplätze: offene Teilnehmerzahl
Jörg Besser
Kontakt
Anmeldung zum Kurs über das E-Campus Portal UND zusätzlich durch eine Mail an den Dozenten.
Form und Funktion von Skelett und Muskeln. Verständnis für physische Zusammenhänge, Formästhetik und zeichnerischer Fähigkeiten werden ausgebildet. Explanation mittels Tafelzeichnungen, Studium an Skeletten, Vergleichende Anatomie zwischen Mensch und Tier, Zeichnen mit m/w Aktmodellen. Individuelle Korrekturen. Exkursionen in Sammlungen der LMU und anderes.
Youtube-Channel: https://youtu.be/F16gc2yyrOs
Freitag 17.00-20.00 Uhr
Konstruktives Aktzeichnen
Arbeitsplätze: offene Teilnehmerzahl
Dirk Auf dem Hövel (Lehrbeauftragter)
Kontakt:
Anmeldung zum Kurs über das E-Campus Portal UND zusätzlich durch eine Mail an den Dozenten.
Inspirierendes und erklärendes Aktzeichnen vor einem Modell. Zusammenhänge von Form, Raum und Proportion der Figur sollen entwickelt werden. Durch Verwendung unterschiedlicher Zeichenmittel (z. B. Kreide, Kohle, Bleistift, Farbe) werden verschiedene Techniken geübt.
Blockkurs am Ende des jeweiligen Semesters
5 Tage (Montag bis Freitag), je 10.00-17.00 Uhr
Aktmodellieren Nude modelling
Arbeitsplätze 12
Corbinian Böhm und Michael Gruber (Lehrbeauftragte)
Kontakt:
Anmeldung zum Kurs über das E-Campus Portal UND UNBEDINGT zusätzlich durch eine Mail an
In diesem Kurs wird das dreidimensionale Sehen geschärft und das Erfassen von Körpern im Raum geschult
Innerhalb einer Woche schafft Ihr ohne Vorkenntnisse eine Aktfigur in ein Drittel Lebensgröße.
Was wir stellen:
Einen Galgen gegen eine Leihgebühr von 40 €.
Ein vorgefertigtes Drahtskelett in den Proportionen des Modells für 14 €, sowie unschamottierten Ton (10kg) für 10 €.
Wir bitten folgendes Werkzeug mitbringen:
Modellierwerkzeug, Lot (hier reicht auch nur eine feine Schnur mit einem Tonkügelchen), Meterstab, Zangen, Sprühflasche für Wasser, Plastikfolie zum Einpacken der Figur.
Der Kurs richtet sich an Studierende der Akademie. Externe können nur über die Restplatzvergabe hinzukommen und zahlen die Einschreibegebühr für das gesamte Semester. Für externe Teilnemende wird neben der Einschreibungsgebühr zzgl. eine Pauschale für das Aktmodell von 35€ in bar fällig.
IMMER wieder BESSER: Anatomiekurs auf YouTube
10 Anatomielektionen von Jörg Besser stehen als YouTube-Tutorials zur Verfügung, neue werden in Kürze hinzukommen!
Anatomie-Youtubekanal York van Besser: https://www.youtube.com/channel/UCqgpn2XbeQvF4iDCSP_x7yA
Playlist: Anatomisches Zeichnen: https://www.youtube.com/watch?v=t4_X4j5ZCYA&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS
Einführung: https://www.youtube.com/watch?v=F16gc2yyrOs&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=10
Lektion 1: https://www.youtube.com/watch?v=TRKjcQQ2pcg&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=9
Lektion 2: https://www.youtube.com/watch?v=gk9WIgxqKT0&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=8
Lektion 3: https://www.youtube.com/watch?v=o-8N2XEq51o&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=7
Lektion 4: https://www.youtube.com/watch?v=_orLv2G8flw&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=6
Lektion 5: https://www.youtube.com/watch?v=5C6pzXqcWHM&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=5
Lektion 6: https://www.youtube.com/watch?v=Hzd1F4u5kwY&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=4
Lektion 7: https://www.youtube.com/watch?v=4uYWPbszh7c&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=3
Lektion 8: https://www.youtube.com/watch?v=pvrBHxaUsNA&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=2
Lektion 9: https://www.youtube.com/watch?v=WjpDGVM-ZZg
Lektion 10: https://www.youtube.com/watch?v=t4_X4j5ZCYA&list=PLmZKAxUWaM71WBFyMp_XtzUUtfQu9k7WS&index=1
Um über neue Tutorials unterrichtet zu werden, ist es am Einfachsten, den Kanal zu abonnieren. Alle Interessenten können sich aber auch per Email bei
Course catalogue Article Count: 3
Application Article Count: 0
We are delighted that you are interested in studying at the Academy of Fine Arts Munich! Our admission procedure takes place once a year with admission for the winter semester. The application deadline for study programme Interior Architecture is 30 April, for all other courses 15 May (deadline).
For a successful application, you must first pass the portfolio selection, then the practical and oral examination (in the study programmes Interior Architecture, Art Education, Master of Art & Therapy and Master of Architecture & Art) and then enrol (matriculation).
We recommend that all applicants take part in a portfolio consultation / portfolio forum for the classes or degree programmes before applying or make an appointment for this with the professors or artistic assistant. The portfolio consultation is a non-binding counselling service and therefore not an admission requirement.
Please note: The language of teaching is usually German. Depending on individual approaches of class professors and lecturers there might be assistance in English or meetings in class held in English, but this is not obligatory. Most theory seminars are held in German as well. Please inform yourself about the language requirements prior to applying. For Fine Arts for example, you will need a proof of German B1. If you have any questions, please contact the Students Office:
Note: From October 2026, the Interior Architecture programme will be converted to a new model and transformed into a Bachelor's programme with a standard duration of 8 semesters and a consecutive Master's programme with 4 semesters for external graduates and 2 semesters for internal graduates. Further information will be available from March 2026.
If you want to get an insight into studying at the AdBK Munich, come to the three public exhibitions that are held every year. The diploma exhibition for graduates of the Fine Arts programme takes place at the end of the winter semester in February. The exhibition of graduates from the Art Education programme takes place before the start of the winter semester in October. At the annual exhibition in July, all students show current works and experiments. The exact dates can be found here. You can find an overview of past exhibitions under ‘Abschlussausstellungen’ or ‘Jahresausstellungen’ (in German only).
Overview Article Count: 1
Portfolio forum Article Count: 1
Application checklist Article Count: 3
Your application with the following documents must be received by the Academy by April 30 (for Interior Architecture all documents only digitally in the portal) and May 15 (for all other degree programs analog inbox, not postmark) by post (Interior Architecture only digitally).
Here you find a discription of the three steps of application.
Here you will find further information on the application modalities for the individual degree programs.
Here you find the link to the application portal.
Portfolio return Article Count: 1
Statutes and regulations (in German only) Article Count: 0
Allgemein Article Count: 1
Studiengang Freie Kunst Article Count: 1
Studiengang Kunstpädagogik Article Count: 1
Studiengang Innenarchitektur Article Count: 1
Fine Arts and Therapy (Master) Article Count: 1
Studiengang Architektur und Kunst Article Count: 1
Promotionsordnung der AdBK München Article Count: 1
Study organisation Article Count: 9
Mailingliste für Studierende
Über den Mailverteiler
Frauenbeauftragte Article Count: 10
Scholarships (in German only) Article Count: 0
Auf dieser Seite finden Sie eine Übersicht der regelmäßig ausgeschriebenen Stipendien, die entweder durch die AdBK vergeben werden oder für die die Akademie ein Vorschlagsrecht besitzt. Bei Fragen zu den ausgeschriebenen Stipendien wenden Sie sich bitte an das Prüfungsamt (falls nicht anders angegeben).
Die Datenschutzerklärung finden Sie hier.
Das Studierendenwerk München bietet darüber hinaus eine allgemeine Stipendien-Beratung an. Weitere Informationen dazu finden Sie hier.
Ausschreibung jeweils im Sommersemester Article Count: 6
Ausschreibung jeweils im Wintersemester Article Count: 8
Contact Article Count: 6
Mailing list for students
The mailing list
MyCampus + Mailinglist for students (in German only) Article Count: 1
Hinweisgeber Article Count: 1
Alumni Article Count: 0
Dear former students, dear interested parties,
The AdBK alumni programme is currently on hold. As soon as there is any news, you will find it here on this page.
Archiv (Alumni Projekte) Article Count: 370
Alumni TV Article Count: 5
In der Reihe SPECTROSCOPE MAGAZINE sprechen wir mit Personen rund um die Akademie. Blicken Sie mit uns auf den vielschichtigen Kosmos, der die Akademie umgibt und gewinnen Sie aktuelle Einblicke in die Akademie und in Kunst und Kultur!