Hannah Meszaros Martin recently led a set of major investigations in Colombia, produced in collaboration with the Colombian Truth Commission, examining the mechanisms of land dispossession in Nueva Colonia and enforced disappearances during the 1985 siege of the Palace of Justice in Bogotá. The findings of these investigations are currently on show at Museo de Arte Miguel Urrutia (MAMU) in Bogotá. In her online lecture she will present some film material from her research elaborate on her work as an artist and part of the collective forensic architecture.
Hannah Meszaros Martin is an artist, writer, and current CHASE funded PhD candidate at the Centre for Research Architecture. Her work focuses on non-human criminality and environmental violence in the context of the ongoing armed conflict in Colombia. She was a part of the Modelling Kivalina group which exhibited at the House of World Cultures (HKW), Berlin, as a part of Forensic Architecture’s exhibition and contributed to FORENSIS (Sternberg, 2014). She has exhibited solo work in Medellín, London, and documenta(13). She has published with Open Democracy and Different Skies, a publication that she co-founded in 2012.
To receive the zoom link please write an email to Diese E-Mail-Adresse ist vor Spambots geschützt! Zur Anzeige muss JavaScript eingeschaltet sein!.
*The lecture will be held in English.
----
I Did Not See It Coming ist eine temporäre Struktur in der Lothringer 13 Halle und im lokal – initiiert von Studierenden der Klasse Nicolai und unterstützt aus Mitteln der Akademie der Bildenden Künste München. 2022 jährt sich das Attentat auf die israelische Delegation für die Olympischen Spiele 1972 in München zum 50sten Mal. Dies nehmen Studierende der Klasse Olaf Nicolai zum Anlass, gemeinsam mit Gästen eine temporäre Struktur für eine ästhetisch bis politische Auseinandersetzung mit unterschiedlichen Formen von Gewalt in der Lothringer 13 Halle und Lokal zu schaffen.