Projectclass Cécile B. Evans

Raum A.U1.24, Akademiestr. 2
Zeit April 24th–27th, May 16th–18th, June 21st–22nd, July 27th–31st (tbc)
Teaching language English
Voranmeldung bis 16.04.2018 an info_cx@adbk.mhn.de (Teilnahmebeschränkung)
 
The project class will center around the impact and changing values of emotion on contemporary society, alongside the battle to adequately circulate, instrumentalize, and assign physical place of presence to feeling. In particular, they will address the vast effect of infrastructure and networked systems, driven by digital communication in the last 25 years, on human subjectivity and perception of collective experience. Contextual aesthetics, non-binary thinking, and the expansion of materiality will be examined as avenues of possibility to imagine productive ways of navigating affect and power.

 

Cécile B. Evans (born 1983) is an American-Belgian artist living and working in London. Her work examines the value of emotion in contemporary society and the increasing impact of technology on humanity and the systems it has developed. Recent selected solo exhibitions include mumok Vienna (AT), Castello di Rivoli (IT), Galerie Emanuel Layr, Vienna (AT), Tate Liverpool (UK), Kunsthalle Aarhus (DK), M Museum Leuven (BE), and De Hallen Haarlem (NL). Her work has been included amongst others at Haus der Kunst (DE), Mito Art Tower (JP), Renaissance Society Chicago (US), the 7th International Moscow Biennale (RU),  the 4th Ural Industrial Biennial (RU), Galerie Kamel Mennour (FR), and Louisiana Museum of Modern Art, Copenhagen (DK), the 9th Berlin Biennale (DE), the 20th Sydney Biennale (AUS), Fundació Joan Miró, Barcelona (ES), and Musée d’Art Moderne de Paris (FR). Public collections include The Museum of Modern Art, New York (US), The Rubell Family Collection, Miami (US), Whitney Museum of American Art (US), De Haallen (NL), Castello di Rivoli, Turin (IT), Louisiana Museum of Modern Art, Copenhagen (DK), and FRAC Auvergne (FR).