An der Akademie der Bildenden Künste im Studiengang Kunstpädagogik angefertigte Dissertationsschriften

Barbara Lutz-Sterzenbach:

Zeichnen in der Kunstpädagogik und interdisziplinären Bezugsfeldern. (Januar 2015)

Anna-Maria Schirmer:

Über die allmähliche Verfertigung der Erkenntnisse im bildnerischen Tun. (Januar 2015)

Anne Eßer:

Reflexionen zu Grundproblemen von Identität und Vielfalt. (Juli 2016)

Jonathan Drews:

(Mai 2017)

Students Council

Niklas Herrnböck

Sebastian Quast

Dean

Representative for handicapped students

Frank Hilger | +49 / 89 / 3852 -152

Women's Representative

Prof. Ursula Rogg | This email address is being protected from spambots. You need JavaScript enabled to view it.

Prof. Tanja Widmann | This email address is being protected from spambots. You need JavaScript enabled to view it.

Mascha Salgado de Matos, M.A. | This email address is being protected from spambots. You need JavaScript enabled to view it.

Employee Committee

Stefania De Luca, +49 / 89 / 3852 -265

Sabine Muske-Klostermann, +49 / 89 / 3852 -175

Edith Plattner, +49 / 89 / 3852 -197

This email address is being protected from spambots. You need JavaScript enabled to view it.

Representative for severely disabled persons

Said Jawadi | +49 / 89 / 3852 -172 | E.O1.09 |  This email address is being protected from spambots. You need JavaScript enabled to view it.

Petra Bernhardt | +49 / 89 / 3852 - 190 | This email address is being protected from spambots. You need JavaScript enabled to view it.

Data protection officer

Wolfgang Kiening | +49 / 89 / 3852 -101

Chairman
Prof. Dr. Dietmar Rübel

Vice Chairwoman
Iska Jehl, representative academic staff

Members of the Academic Senate

Advisory Members of the Academic Senate
The other members of the university management (Vice-Presidents) participate in the meetings of the Senate in an advisory capacity (Art. 25 para. 2 p. 4 BayHSchG).

Inquiries
please contact the Presidents secretary | Mrs. Mona-Elena Popp

Publikationen des cx centrum für interdisziplinäre studien

Die Reihe der Publikationen des cx centrum für interdisziplinäre studien erscheint zu den jeweiligen Jahresthemen mit Beiträgen der Vortragsreihe und Forschungsergebnissen.

https://www.adbk.de/de/lehrangebot/cx-centrum-fuer-interdisziplinaere-studien/publikationsreihe.html

Schriftenreihe der Akademie der Bildenden Künste:

Band 1
WIELAND SCHMIED
Kunst, Kunstgeschichte, Kunstakademie
Schriftenreihe der Akademie der Bildenden Künste München, Band 1
1990, 103 Seiten, 11 Abb.
vergriffen

Band 2
WOLFGANG KEHR
Die Akademie der Bildenden Künste München – Kreuzpunkt europäischer Kultur
Schriftenreihe der Akademie der Bildenden Künste München, Band 2
1990, 44 Seiten, 18 Abb., 5,00 Euro
ISBN 3-926220-27-9

Band 3
THOMAS ZACHARIAS
Biotop Akademie – Vorträge und Texte 1990–1991
Schriftenreihe der Akademie der Bildenden Künste München, Band 3
1991, 157 Seiten, 34 Abb.
brosch. 12,80 Euro, geb. 5,00 Euro
ISBN 3-926220-28-70

Band 4
THOMAS HUBER
Thomas Huber in München
Schriftenreihe der Akademie der Bildenden Künste München, Band 4
1991, 42 Seiten, 6 Abb. 5,00 Euro
ISBN 3-926220-29-5

Band 5
WIELAND SCHMIED/GERD ROOS
Giorgio de Chirico und München 1906–1909
Schriftenreihe der Akademie der Bildenden Künste München, Band 5
1994, 190 Seiten
vergriffen

Band 6
BERNHARD LYPP (Hrsg.)
Schelling und die Akademie der Bildenden Künste
Texte von Wilhelm G. Jacobs.
Schriftenreihe der Akademie der Bildenden Künste München, Band 6
2002, 97 Seiten, 2 Abb., 5,00 Euro
ISBN 3-935515-02-2

WOLFGANG BRASSAT
Die Raffael-Gobelins der Kunstakademie München
Schriftenreihe der Akademie der Bildenden Künste München
Dr. Cantz'sche Druckerei 2002, 107 Seiten, zahlr. Abb.
vergriffen

AKADEMIE DER BILDENDEN KÜNSTE (Hrsg.)
AkademieGalerie 1993
1994, 46 Seiten

AKADEMIE DER BILDENDEN KÜNSTE (Hrsg.)
AkademieGalerie 1994/95
1995, 56 Seiten

AKADEMIE DER BILDENDEN KÜNSTE (Hrsg.)
AkademieGalerie 1995/96
1996, 60 Seiten

AKADEMIE DER BILDENDEN KÜNSTE (Hrsg.)
AkademieGalerie 1998/1999
1999

FRANKA KASSNER, FLORIAN MATZNER, JUTTA TEZMEN-SIEGEL (Hrsg.)
Restrisiko. AkademieGalerie 1999–2004
2004, 137 Seiten
ISBN 3-932934-14-8

RUTH HERZING, ANGELA HOLZWIG, FLORIAN MATZNER (Hrsg.)
AkademieGalerie 2004–2008
2009, 112 Seiten, Schutzgebühr 2,00 EURO
ISBN 978-3-932934-25-4

AKADEMIE DER BILDENDEN KÜNSTE (Hrsg.)

AkademieGalerie 2009-2013

2015, 176 Seiten

ISBN 978-3-932934-30-8

AKADEMIE DER BILDENDEN KÜNSTE (Hrsg.)

AkademieGalerie 2014-2019

2021, 217 Seiten

ISBN 978-3-932934-42-1

THOMAS ZACHARIAS
Tradition und Widerspruch. 175 Jahre Kunstakademie München.
1985
vergriffen

OLAF METZEL
Basisarbeit
1999, 200 Seiten, 12,00 Euro
ISBN 3-932934-05-9

FLORIAN MATZNER (Hrsg.)
Public art: Kunst im öffentlichen Raum.
Texte von Vito Acconci.
Hatje Cantz 2004, 2. Aufl., 717 Seiten, zahlr. Abb.
vergriffen

STEPHAN HUBER, FLORIAN MATZNER, HERMANN PITZ (Hrsg.)
Evergreen – Das Kunstprojekt der Akademie der Bildenden Künste München auf der Bundesgartenschau in München-Riem
2005, 132 Seiten

WALTER GRASSKAMP, BIRGIT JOOSS (Hrsg.)
Branko Senjor. 60er Jahre – Umbruchsjahre. Fotografien aus der Münchner Kunstakademie.
Schriftenreihe der Akademie der Bildenden Künste München
Deutscher Kunstverlag 2006, 80 Seiten mit 66 schwarzweißen Abb.
14,90 Euro
ISBN 978-3-422-06662-5

NIKOLAUS GERHART, WALTER GRASSKAMP, FLORIAN MATZNER (Hrsg.)
200 Jahre Akademie der Bildenden Künste
Festschrift zum 200-jährigen Bestehen der Akademie
2008, Hirmer-Verlag München, 592 Seiten
39,00 Euro (im Buchhandel 49,90 Euro)
ISBN 978-3-7774-4205-1

PETER BURKE
„Circa 1808: Restructuring Knowledges / Um 1808: Neuordnung der Wissenschaften"
The Schelling Lecture on the Arts and Humanities
Band 1 (Text Deutsch / Englisch)
2008, Deutscher Kunstverlag München/Berlin, 64 Seiten
14,90 EUR (nur über den Buchhandel erhältlich)
ISBN 978-3-422-06834-6

ANNA BOFILL LEVI
Generation of Forms: Space to Inhabit, Time to Think / Künstlerische Formgebung: Raum zum Wohnen; Zeit für Reflexion
The Schelling Lecture on the Arts and Humanities
Band 2 (Text Deutsch / Englisch)
2009, Deutscher Kunstverlag München/Berlin, 120 Seiten mit 14 schwarzweißen Abbildungen
14,90 EUR (nur über den Buchhandel erhältlich)
ISBN 978-3-422-06916-9

SIRI HUSTVEDT
Embodied Visions: What does it mean to look at a work of art? / Mit dem Körper sehen: Was bedeutet es, ein Kunstwerk zu betrachten?
The Schelling Lecture on the Arts and Humanities
Band 3 (Text Deutsch / Englisch)
2010, Deutscher Kunstverlag München/Berlin, 70 Seiten mit 8 schwarzweißen Abbildungen
14,90 EUR (nur über den Buchhandel erhältlich)
ISBN 978-3-422-07015-8

MARKUS KLEINERT (Hrsg.)
Kunst und Religion - Ein kontroverses Verhältnis
Schriftenreihe der Akademie der Bildenden Künste München
2010, Chorus-Verlag für Kunst und Wissenschaft, 139 Seiten
20 EUR (nur über den Buchhandel erhältlich)
ISBN 978-3-931876-81-4

ISKA JEHL, CAROLINE STERNBERG
Erste Frauen in der Lehre. Akademie der Bildenden Künste München/ Kunstgewerbeschule München.
Zur Entwicklung des Frauenanteils in der Lehre 1808-2014
2014, 28 Seiten, Schutzgebühr 2,00 Euro
ISBN 978-3-932934-31-5

Chairman

Achim Hochdörfer

Vice Chairman
Prof. M. Martinez Mateo

External Members

Katrin Bittl

Prof. Barbara Gronau
Achim Hochdörfer

Andrea Lissoni

N.N.

Regine Thiess

Dr. Mirjam Zadoff

N.N.

N.N.

Internal Members

Prof. Gerry Bibby

Prof. M. Martinez Mateo

Prof. Dr. Dietmar Rübel

Prof. Sebastian Tröger

Prof. Nicole Wermers

Iska Jehl, representative academic staff

Angela Holzwig, representative other members
Niklas Herrnböck, students council
Sebastian Quast, students council

Inquiries
please contact the presidents secretary | Mrs. Mona-Elena Popp

+49 / 89 / 3852 -104 | This email address is being protected from spambots. You need JavaScript enabled to view it.

President
Prof. Karen Pontoppidan

Vice Presidents

Daniel Bräg

Prof. Schirin Kretschmann

Prof. Dr. Maria Muhle

Prof. Florian Pumhösl

Chancellor

Corinna Deschauer

The Presiding Committee manages the day-to-day business of the Academy.

This includes, among other things, the curricular development, internationalisation and spatial structuring of the Academy as well as the various concerns of the individual departments, the study workshops and the mid-level faculty. The Presiding Committee is also responsible for applications for the structuring of the website, applications for guest lectures and applications for leave of absence from the mid-level faculty.

Inquiries
please contact the president's secretary | Mrs. Mona-Elena Popp | Room E.O2.23
+49 / 89 / 38 52 -104 |  This email address is being protected from spambots. You need JavaScript enabled to view it.

Details on curriculum and course content can be researched in the following holdings.
 
Upon request, the archive provides materials from the holdings of old files from the Academy of Fine Arts in Munich and the School of Applied Arts. Digitization projects such as the edition of the matriculation books of the Academy matrikel.adbk.de facilitate access to the preserved documents.
 
Current teaching activities are documented by archiving academy publications, leaflets and advertising materials. This is supplemented by photographic records of exhibitions held primarily within the academic setting.
 
Old holdings (plaster casts, paintings, graphics) as well as additional significant artworks and illustrative materials used for teaching purposes are likewise indexed and collected. This is done in cooperation with teachers and students of the Academy.

Rectors, professors, honorary senators and honorary members of the AdBK, 1808–2016
(as of July 2019)

These lists are based on research by Birgit Jooss and Sabine Brantl and are updated annually. The historical information has been taken from the personnel files in the registry of the AdBK as well as from the main state archive. It encompasses all disciplines and is chronologically organized according to the person’s entry or appointment date.

SCHWABING SITE



Like its predecessor, the “Zeichnungs Schule respective Maler- und Bildhauerakademie” (School for Drawing, Painting and Sculpture) founded in 1770, the Royal Bavarian Academy of Fine Arts was first housed in the Wilhelminum, the former Jesuit college in the Neuhauser Strasse, after its establishment in 1808. Despite early additions, there was a shortage of space early on, which was compensated by other buildings throughout the city. Only in the 1880s did it receive the prestigious building where it is still located.



King Ludwig I had already considered such a construction, but the draft presented in 1826 by Friedrich von Gärtner was thwarted by the latter’s opponent Leo von Klenze. Promising preparations only began after Ferdinand von Miller requested 800,000 guilders from the Bavarian State Parliament for a new building in 1875. The reparations paid by France to the German Reich after the failed war of 1870/71 finally enabled two million guilders to be planned for construction.



Various locations were debated; Gottfried von Neureuther was finally commissioned in 1875 to execute his design close to the Siegestor. A lack of financing for the project, whose costs had grown to over three million guilders, however, interrupted construction in 1880. After 700 Munich citizens voiced their concern in a petition stating that “the arts would move out of Munich and Bavaria to the detriment of the city and the state”, further funds were approved. On July 31, 1886, the finished building was transferred to the academy by Prince Regent Luitpold.



It was an elongated building in neo-renaissance style, with a central pavilion and four corner pavilions on both outer wings. From the honors courtyard on the southern side, a central staircase and two curved ramps led under the distinctive portico. The planned sculptures facing the front were not fully executed and the niches provided for them remained empty. A representation of Pallas Athena towered over the middle section of the building; it was lost to the ravages of war. Medallions with artist portraits and stone plates engraved with the names of famous artists formulated the art-historical canon of the founding age.



In its location between Schwabing and Maxvorstadt, the academy now illuminated both of these quarters of the city and significantly shaped their cultural life. Schwabing acquired its reputation as an artists’ quarter during this age, as well as one where the art of life was celebrated – a standing it retains to this day. The Kunstverein and Glaspalast became central presentation locations for professors and graduates.



In 1912, the north side of the building facing the academy garden was expanded by the addition of an auditorium. It was created to display ten valuable, large-scale Gobelin tapestries that King Max I Joseph had given the academy in 1815, and its dimensions were scaled accordingly. The tapestries had been woven in the 1730s in the manufacture of the French King Louis XV and were based on Raphael’s frescoes in the Vatican’s Stanza della Segnatura. They include the “Parnassus” and the “School of Athens”.



The Gobelins were evacuated during the war and survived, but financial conditions after the war dictated economy. Instead of the originally curved French ceilings in the five pavilions, which had originally given the building an elegant and light character, flat roofs were mounted. The corner pavilions thus lost their distinctive contours. Inside, the former decorative splendor could not be restored; much was also removed during reconstruction, however, especially because post-war modernists thought little of nineteenth-century historicism. Pragmatic spatial planning increased the usable space with mezzanines, but the high and daylight-flooded corridors remained, which create an impressive room experience.



Just a few years after its renovation, the academy building proved to be too small. Plans discussed during the early 1960s for an extension on the academy’s west side did not become specific until 1992, when Coop Himmelb(l)au won an architecture competition. The extension only became reality in 2003 when the foundation stone was laid. In 2005, the building was moved into.



Professor Dr. Walter Grasskamp